{"id":23243,"date":"2025-10-12T19:27:07","date_gmt":"2025-10-12T17:27:07","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23243"},"modified":"2025-10-21T09:28:48","modified_gmt":"2025-10-21T07:28:48","slug":"maud-seem","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/maud-seem\/","title":{"rendered":"Maud Seem"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Maud Seem : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23455 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-maud-seem\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/entretien-avec-giulietta-mottini-autour-du-projet-trainee-de-poussiere\/\" target=\"_self\" >Entretien avec Giulietta Mottini autour du projet Tra\u00een\u00e9e de poussi\u00e8re<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Maud Seem. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23354 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-pommier category-spectacle tag-laurie-boissenin tag-maud-seem\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/poil-de-carotte-poil-de-carotte\/\" target=\"_self\" >Poil de Carotte, Poil de Carotte<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Jules Renard \/ Mise en sc\u00e8ne par Flavien Bellec et Etienne Blanc \/ Th\u00e9\u00e2tre Le Pommier (Neuch\u00e2tel) \/ Du 26 au 27 novembre 2025 \/ Critiques par Laurie Boissenin et Maud Seem. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23331 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-vidy tag-hadrien-halter tag-mathys-lonfat tag-maud-seem\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/la-distance\/\" target=\"_self\" >La Distance<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Tiago Rodrigues \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 13 au 23 novembre 2025 \/ Critiques par Hadrien Halter, Maud Seem et Mathys Lonfat . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23313 post type-post status-publish format-standard has-post-thumbnail category-critique category-equilibre-nuithonie category-expired category-spectacle tag-maud-seem tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/berenice-2\/\" target=\"_self\" >B\u00e9r\u00e9nice<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Jean Racine \/ Mise en sc\u00e8ne par Guy Cassiers \/ Th\u00e9\u00e2tre Equilibre-Nuithonie (Fribourg) \/ Mercredi 29 octobre 2025 \/ Critiques par Orane Gigon et Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23300 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-maud-seem\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/holobiontes\/\" target=\"_self\" >Holobiontes<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Florencia Demestri et Samuel Lefeuvre\/ La Grange \/ Centre Arts et Sciences \/ UNIL (Lausanne)\/ Du 30 octobre au 1er novembre 2025 \/ Critique par Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23255 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-mathys-lonfat tag-maud-seem tag-maxime-grandjean tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/10\/bovary-madame\/\" target=\"_self\" >Bovary Madame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Gustave Flaubert \/ Mise en sc\u00e8ne par Christophe Honor\u00e9 \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 17 septembre au 8 octobre 2025 \/ Critiques par Ilian Guesmia, Muireann Walsh, Mathys Lonfat et Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Maud Seem :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-23243","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23243"}],"version-history":[{"count":2,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23243\/revisions"}],"predecessor-version":[{"id":23289,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23243\/revisions\/23289"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}