{"id":23021,"date":"2025-03-27T22:28:22","date_gmt":"2025-03-27T21:28:22","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=23021"},"modified":"2025-03-27T22:28:24","modified_gmt":"2025-03-27T21:28:24","slug":"maxime-grandjean","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/maxime-grandjean\/","title":{"rendered":"Maxime Grandjean"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Maxime Grandjean : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23304 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-maxime-grandjean\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/in-bocca-al-lupo\/\" target=\"_self\" >In bocca al lupo<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Judith Zagury\/ Shanjulab\/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 30 octobre au 14 novembre 2025 \/ Critiques par Maxime Grandjean et Ilian Guesmia . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23255 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-mathys-lonfat tag-maud-seem tag-maxime-grandjean tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/10\/bovary-madame\/\" target=\"_self\" >Bovary Madame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Gustave Flaubert \/ Mise en sc\u00e8ne par Christophe Honor\u00e9 \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 17 septembre au 8 octobre 2025 \/ Critiques par Ilian Guesmia, Muireann Walsh, Mathys Lonfat et Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23171 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-carouge tag-auxane-bolanz tag-maxime-grandjean\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/05\/art\/\" target=\"_self\" >Art<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Yasmina Reza \/ Mise en sc\u00e8ne par Fran\u00e7ois Morel \/ Th\u00e9\u00e2tre de Carouge (Gen\u00e8ve) \/ Du 21 mai au 8 juin 2025 \/ Critiques par Maxime Grandjean et Auxane Bolanz . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23099 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-alexia-gay tag-celia-reymond tag-killian-lachat tag-laurie-boissenin tag-loris-ferrari tag-maxime-grandjean tag-muireann-walsh tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/04\/lenz\/\" target=\"_self\" >Lenz<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Georg B\u00fcchner \/ Mise en sc\u00e8ne par \u00c9l\u00e9onore Bonah et Maria Clara Castioni \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 1 au 10 avril 2025 \/ Critiques par Alexia Gay, Muireann Walsh, Loris Ferrari, Laurie Boissenin, Killian Lachat, Maxime\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23039 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-des-marionnettes tag-alexia-gay tag-maxime-grandjean\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/pouvoir\/\" target=\"_self\" >Pouvoir<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Une Tribu Collectif \/ Th\u00e9\u00e2tre des Marionnettes (Gen\u00e8ve) \/ Du 21 au 30 mars 2025 \/ Critiques par Alexia Gay et Maxime Grandjean . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-22988 post type-post status-publish format-standard has-post-thumbnail category-creation-libre category-expired category-la-grange category-spectacle tag-celia-reymond tag-hadrien-halter tag-killian-lachat tag-laurie-boissenin tag-loris-ferrari tag-lucie-ortet tag-maxime-grandjean tag-muireann-walsh tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/la-visite-du-futur-imparfait\/\" target=\"_self\" >La visite du futur imparfait<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et jeu par Yvan Richardet \/ La Grange \u2013 Centre \/ Arts et Science \/ UNIL \/ Du 11 mars au 15 mai 2025 \/ Textes cr\u00e9atifs par Orane Gigon, Maxime Grandjean, Killian Lachat, Lucie Ortet, Hadrien Halter, Loris\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Maxime Grandjean :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-23021","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=23021"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23021\/revisions"}],"predecessor-version":[{"id":23023,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/23021\/revisions\/23023"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=23021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}