{"id":22931,"date":"2025-03-10T13:47:42","date_gmt":"2025-03-10T12:47:42","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=22931"},"modified":"2025-03-10T13:53:46","modified_gmt":"2025-03-10T12:53:46","slug":"muireann-walsh","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/muireann-walsh\/","title":{"rendered":"Muireann Walsh"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Muireann Walsh : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23359 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/spiegeneuronen\/\" target=\"_self\" >Spiegelneuronen<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Sasha Walt &amp; Guests\/ Stefan Kaegi (Rimini Protokoll)\/ Th\u00e9\u00e2tre de Vidy (Lausanne)\/ Du 27 au 30 novembre 2025 \/ Critique par Muireann Walsh . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23293 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-laurie-boissenin tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/faustus-in-africa\/\" target=\"_self\" >Faustus in Africa\u00a0!<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Johann Wolfgang von Goethe \/ Mise en sc\u00e8ne par William Kentridge et Handspring Puppet Company\u2019s \/ Com\u00e9die de Gen\u00e8ve \/ Du 29 octobre au 1er novembre 2025 \/ Critiques par Laurie Boissenin et Muireann Walsh . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23255 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-mathys-lonfat tag-maud-seem tag-maxime-grandjean tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/10\/bovary-madame\/\" target=\"_self\" >Bovary Madame<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Gustave Flaubert \/ Mise en sc\u00e8ne par Christophe Honor\u00e9 \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 17 septembre au 8 octobre 2025 \/ Critiques par Ilian Guesmia, Muireann Walsh, Mathys Lonfat et Maud Seem . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23213 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/06\/entretien-avec-la-compagnie-quiplash-sur-an-evening-with-tito-bone\/\" target=\"_self\" >Entretien avec la compagnie Quiplash sur An evening with Tito Bone<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Muireann Walsh. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23185 post type-post status-publish format-standard has-post-thumbnail category-biennale-out-of-the-box category-critique category-expired category-spectacle tag-hadrien-halter tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/05\/biennale-out-of-the-box-biennale-des-arts-inclusifs\/\" target=\"_self\" >Biennale Out of the Box (Biennale des Arts inclusifs)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Iris, performance mise en sc\u00e8ne par Alessandro Sciarroni \/ Sacre ! Spectacle de danse mis en sc\u00e8ne par Teresa Vittucci, Annina Machaz et leTheater HORA \/ An Evening with Tito Bone, performance mise en sc\u00e8ne par Tito Bone\/ Critiques par\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-23099 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-alexia-gay tag-celia-reymond tag-killian-lachat tag-laurie-boissenin tag-loris-ferrari tag-maxime-grandjean tag-muireann-walsh tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/04\/lenz\/\" target=\"_self\" >Lenz<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Georg B\u00fcchner \/ Mise en sc\u00e8ne par \u00c9l\u00e9onore Bonah et Maria Clara Castioni \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 1 au 10 avril 2025 \/ Critiques par Alexia Gay, Muireann Walsh, Loris Ferrari, Laurie Boissenin, Killian Lachat, Maxime\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-22988 post type-post status-publish format-standard has-post-thumbnail category-creation-libre category-expired category-la-grange category-spectacle tag-celia-reymond tag-hadrien-halter tag-killian-lachat tag-laurie-boissenin tag-loris-ferrari tag-lucie-ortet tag-maxime-grandjean tag-muireann-walsh tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/la-visite-du-futur-imparfait\/\" target=\"_self\" >La visite du futur imparfait<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et jeu par Yvan Richardet \/ La Grange \u2013 Centre \/ Arts et Science \/ UNIL \/ Du 11 mars au 15 mai 2025 \/ Textes cr\u00e9atifs par Orane Gigon, Maxime Grandjean, Killian Lachat, Lucie Ortet, Hadrien Halter, Loris\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-22929 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tpr-la-chaux-de-fonds tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/hamlet\/\" target=\"_self\" >Hamlet<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Shakespeare \/ Mise en sc\u00e8ne par Christophe Sermet \/ TPR \u2013 Th\u00e9\u00e2tre populaire romand (La-Chaux-de-Fond) \/ Du 6 au 8 mars 2025 \/ Critique par Muireann Walsh . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Muireann Walsh :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-22931","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/22931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=22931"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/22931\/revisions"}],"predecessor-version":[{"id":23322,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/22931\/revisions\/23322"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=22931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}