{"id":19935,"date":"2024-10-29T15:06:55","date_gmt":"2024-10-29T14:06:55","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=19935"},"modified":"2024-12-12T14:44:44","modified_gmt":"2024-12-12T13:44:44","slug":"lucie-ortet","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/lucie-ortet\/","title":{"rendered":"Lucie Ortet"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Lucie Ortet : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23218 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-lucie-ortet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/07\/entretien-avec-delphine-abrecht-autour-du-projet-sentretenir\/\" target=\"_self\" >Entretien avec Delphine Abrecht autour du projet S&rsquo;entretenir<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Lucie Ortet. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-22988 post type-post status-publish format-standard has-post-thumbnail category-creation-libre category-expired category-la-grange category-spectacle tag-celia-reymond tag-hadrien-halter tag-killian-lachat tag-laurie-boissenin tag-loris-ferrari tag-lucie-ortet tag-maxime-grandjean tag-muireann-walsh tag-orane-gigon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/03\/la-visite-du-futur-imparfait\/\" target=\"_self\" >La visite du futur imparfait<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et jeu par Yvan Richardet \/ La Grange \u2013 Centre \/ Arts et Science \/ UNIL \/ Du 11 mars au 15 mai 2025 \/ Textes cr\u00e9atifs par Orane Gigon, Maxime Grandjean, Killian Lachat, Lucie Ortet, Hadrien Halter, Loris\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-21231 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-lucie-ortet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/12\/le-spectacle-qui-ecoute-enfin-la-parole-des-enfants\/\" target=\"_self\" >Le spectacle qui \u00e9coute enfin la parole des enfants<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Lola Giouse \/ Du 6 au 15 d\u00e9cembre 2024 \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Critique par Lucie Ortet . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-21061 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-les-halles tag-lucie-ortet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/12\/que-perdons-nous-a-gagner-du-temps\/\" target=\"_self\" >Que perdons-nous \u00e0 gagner du temps ?<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Simona Gallo et Lisa Tatin \/ Th\u00e9\u00e2tre Les Halles (Sierre) \/ Du 12 au 16 novembre 2024 \/ Critique par Lucie Ortet . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-20071 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-lucie-ortet tag-odile-jaques\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/11\/six\/\" target=\"_self\" >Six\u00b0<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par la Cie FLIP Fabrique \/ Th\u00e9\u00e2tre du Passage (Neuch\u00e2tel) \/ Du 23 au 24 novembre 2024 \/ Critiques par Odile Jaques et Lucie Ortet . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-19985 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-auxane-bolanz tag-loris-ferrari tag-lucie-ortet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/11\/hercule\/\" target=\"_self\" >Hercule<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mise en sc\u00e8ne par Giulia Rumasuglia \/ D&rsquo;apr\u00e8s Friedrich D\u00fcrrenmatt \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 6 au 23 novembre 2024 \/ Critiques par Auxane Bolanz, Loris Ferrari et Lucie Ortet . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-19869 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tkm-theatre-kleber-meleau tag-anna-chialva tag-auxane-bolanz tag-hadrien-halter tag-loris-ferrari tag-lou-sicovier tag-lucie-ortet tag-odile-jaques\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/10\/la-tempete-ou-la-voix-du-vent\/\" target=\"_self\" >La Temp\u00eate ou La Voix du Vent<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de William Shakespeare \/ Mise en sc\u00e8ne d\u2019Omar Porras \/ TKM \u2013 Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau (Renens-Malley) \/ Du 24 septembre au 13 octobre 2024 \/ Critiques par Lou Sicovier, Loris Ferrari, Odile Jaques, Anna Chialva, Lucie Ortet, Hadrien Halter et\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n\n\n\n<p><br><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Lucie Ortet :<\/p>\n","protected":false},"author":1002847,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"class_list":["post-19935","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/19935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002847"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=19935"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/19935\/revisions"}],"predecessor-version":[{"id":21304,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/19935\/revisions\/21304"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=19935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}