{"id":18095,"date":"2024-05-27T10:23:37","date_gmt":"2024-05-27T08:23:37","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=18095"},"modified":"2024-06-10T09:28:11","modified_gmt":"2024-06-10T07:28:11","slug":"accueil-new","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/","title":{"rendered":"Accueil new"},"content":{"rendered":"\n<div class=\"wp-block-columns is-not-stacked-on-mobile is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><form role=\"search\" method=\"get\" action=\"https:\/\/wp.unil.ch\/ateliercritique\/\" class=\"wp-block-search__button-outside wp-block-search__text-button wp-block-search\"    ><label class=\"wp-block-search__label screen-reader-text\" for=\"wp-block-search__input-1\" >Rechercher<\/label><div 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s-0.009,2.688-0.052,3.637c-0.04,0.877-0.187,1.354-0.31,1.671c-0.163,0.42-0.358,0.72-0.673,1.035 c-0.315,0.315-0.615,0.51-1.035,0.673c-0.317,0.123-0.794,0.27-1.671,0.31c-0.949,0.043-1.233,0.052-3.637,0.052 s-2.688-0.009-3.637-0.052c-0.877-0.04-1.354-0.187-1.671-0.31c-0.42-0.163-0.72-0.358-1.035-0.673 c-0.315-0.315-0.51-0.615-0.673-1.035c-0.123-0.317-0.27-0.794-0.31-1.671C4.631,14.688,4.622,14.403,4.622,12 s0.009-2.688,0.052-3.637c0.04-0.877,0.187-1.354,0.31-1.671c0.163-0.42,0.358-0.72,0.673-1.035 c0.315-0.315,0.615-0.51,1.035-0.673c0.317-0.123,0.794-0.27,1.671-0.31C9.312,4.631,9.597,4.622,12,4.622 M12,3 C9.556,3,9.249,3.01,8.289,3.054C7.331,3.098,6.677,3.25,6.105,3.472C5.513,3.702,5.011,4.01,4.511,4.511 c-0.5,0.5-0.808,1.002-1.038,1.594C3.25,6.677,3.098,7.331,3.054,8.289C3.01,9.249,3,9.556,3,12c0,2.444,0.01,2.751,0.054,3.711 c0.044,0.958,0.196,1.612,0.418,2.185c0.23,0.592,0.538,1.094,1.038,1.594c0.5,0.5,1.002,0.808,1.594,1.038 c0.572,0.222,1.227,0.375,2.185,0.418C9.249,20.99,9.556,21,12,21s2.751-0.01,3.711-0.054c0.958-0.044,1.612-0.196,2.185-0.418 c0.592-0.23,1.094-0.538,1.594-1.038c0.5-0.5,0.808-1.002,1.038-1.594c0.222-0.572,0.375-1.227,0.418-2.185 C20.99,14.751,21,14.444,21,12s-0.01-2.751-0.054-3.711c-0.044-0.958-0.196-1.612-0.418-2.185c-0.23-0.592-0.538-1.094-1.038-1.594 c-0.5-0.5-1.002-0.808-1.594-1.038c-0.572-0.222-1.227-0.375-2.185-0.418C14.751,3.01,14.444,3,12,3L12,3z M12,7.378 c-2.552,0-4.622,2.069-4.622,4.622S9.448,16.622,12,16.622s4.622-2.069,4.622-4.622S14.552,7.378,12,7.378z M12,15 c-1.657,0-3-1.343-3-3s1.343-3,3-3s3,1.343,3,3S13.657,15,12,15z M16.804,6.116c-0.596,0-1.08,0.484-1.08,1.08 s0.484,1.08,1.08,1.08c0.596,0,1.08-0.484,1.08-1.08S17.401,6.116,16.804,6.116z\"><\/path><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">Instagram<\/span><\/a><\/li>\n\n<li class=\"wp-social-link wp-social-link-x  wp-block-social-link\"><a rel=\"noopener nofollow\" target=\"_blank\" href=\"https:\/\/twitter.com\/ateliercritique\" class=\"wp-block-social-link-anchor\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 24 24\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M13.982 10.622 20.54 3h-1.554l-5.693 6.618L8.745 3H3.5l6.876 10.007L3.5 21h1.554l6.012-6.989L15.868 21h5.245l-7.131-10.378Zm-2.128 2.474-.697-.997-5.543-7.93H8l4.474 6.4.697.996 5.815 8.318h-2.387l-4.745-6.787Z\" \/><\/svg><span class=\"wp-block-social-link-label screen-reader-text\">X<\/span><\/a><\/li><\/ul>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"columns-3 wp-block-post-template is-layout-grid wp-container-core-post-template-is-layout-2fc57c17 wp-block-post-template-is-layout-grid\"><li class=\"wp-block-post post-23471 post type-post status-publish format-standard has-post-thumbnail category-creation-libre category-expired category-la-grange category-spectacle tag-felix-blandin tag-ilian-guesmia\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/04\/7-ecouter-les-neurones-carre-1024x1024-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"7 ecouter les neurones carre 1024x1024\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/04\/7-ecouter-les-neurones-carre-1024x1024-1.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/04\/7-ecouter-les-neurones-carre-1024x1024-1-200x200.jpg 200w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/04\/7-ecouter-les-neurones-carre-1024x1024-1-170x170.jpg 170w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/04\/7-ecouter-les-neurones-carre-1024x1024-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/04\/le-cors-de-claudine\/\" target=\"_self\" >Le corps de Claudine<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Fabrice Gorgerat \/ La Grange \/ Centre Arts et Sciences \/ UNIL (Lausanne) \/ Du 3 au 8 mars 2026 \/ Textes cr\u00e9atifs par Ilian Guesmia et F\u00e9lix Blandin . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/04\/le-cors-de-claudine\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23461 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-carouge tag-felix-blandin tag-mathys-lonfat\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"tartuffe titre\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre.jpg 1500w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre-300x200.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre-1024x683.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre-250x167.jpg 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/tartuffe_titre-768x512.jpg 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/le-tartuffe\/\" target=\"_self\" >Le Tartuffe<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Moli\u00e8re \/ Mise en sc\u00e8ne par Jean Liermier \/ Th\u00e9\u00e2tre de Carouge (Gen\u00e8ve) \/ Du 3 mars au 2 avril 2026 \/ Critiques par Mathys Lonfat et F\u00e9lix Blandin . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/le-tartuffe\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23450 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-ines-dalle\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1739\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634.jpg 1739w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-290x200.jpg 290w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-1024x707.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-246x170.jpg 246w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-768x530.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-1536x1060.jpg 1536w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2026\/03\/main-image_ha_photo-by-peteris-viksna_dscf5046-e1761221092634-135x93.jpg 135w\" sizes=\"auto, (max-width: 1739px) 100vw, 1739px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/ha\/\" target=\"_self\" >HA<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Jana Jacuka \/ Arsenic (Lausanne) \/ Du 6 au 8 mars 2026 \/ Critique par In\u00e8s Dalle . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2026\/03\/ha\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23364 post type-post status-publish format-standard has-post-thumbnail category-critique category-le-petit-theatre category-onstage category-spectacle tag-laurie-boissenin\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1706\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"broc\u00e9liance couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture.jpg 1706w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture-284x200.jpg 284w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture-1024x720.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture-242x170.jpg 242w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture-768x540.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/broceliance_couverture-1536x1080.jpg 1536w\" sizes=\"auto, (max-width: 1706px) 100vw, 1706px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/broceliande\/\" target=\"_self\" >Broc\u00e9liande<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Julie Annen \/ Le Petit Th\u00e9\u00e2tre (Lausanne) \/ Du 3 au 31 d\u00e9cembre 2025 \/ Critique par Laurie Boissenin. <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/broceliande\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23359 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-muireann-walsh\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1262\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture.webp\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"spiegelneuronen couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture.webp 1920w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture-300x197.webp 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture-1024x673.webp 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture-250x164.webp 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture-768x505.webp 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/spiegelneuronen-couverture-1536x1010.webp 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/spiegeneuronen\/\" target=\"_self\" >Spiegelneuronen<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Sasha Walt &amp; Guests\/ Stefan Kaegi (Rimini Protokoll)\/ Th\u00e9\u00e2tre de Vidy (Lausanne)\/ Du 27 au 30 novembre 2025 \/ Critique par Muireann Walsh . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/spiegeneuronen\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23354 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-pommier category-spectacle tag-laurie-boissenin tag-maud-seem\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1081\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"poildecarotte couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture.jpg 1920w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture-300x169.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture-1024x577.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture-250x141.jpg 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture-768x432.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/12\/poildecarotte_couverture-1536x865.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/poil-de-carotte-poil-de-carotte\/\" target=\"_self\" >Poil de Carotte, Poil de Carotte<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Jules Renard \/ Mise en sc\u00e8ne par Flavien Bellec et Etienne Blanc \/ Th\u00e9\u00e2tre Le Pommier (Neuch\u00e2tel) \/ Du 26 au 27 novembre 2025 \/ Critiques par Laurie Boissenin et Maud Seem. <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/12\/poil-de-carotte-poil-de-carotte\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23344 post type-post status-publish format-standard has-post-thumbnail category-critique category-theatre-des-osses category-onstage category-spectacle tag-ilian-guesmia\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"657\" height=\"352\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/getattachmentthumbnail-e1763559827154.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"getattachmentthumbnail\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/getattachmentthumbnail-e1763559827154.png 657w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/getattachmentthumbnail-e1763559827154-300x161.png 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/getattachmentthumbnail-e1763559827154-250x134.png 250w\" sizes=\"auto, (max-width: 657px) 100vw, 657px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/le-misanthrope-2\/\" target=\"_self\" >Le Misanthrope<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Moli\u00e8re \/ Mise en sc\u00e8ne par Anne Schwaller \/ Th\u00e9\u00e2tre des Osses (Fribourg) \/ Du 30 octobre au 21 d\u00e9cembre 2025 \/ Critique par Ilian Guesmia . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/le-misanthrope-2\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23341 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-spot-sion tag-mathys-lonfat\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1370\" height=\"810\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"capture d\u2019\u00e9cran 2025 11 19 \u00e0 11.08.30\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30.png 1370w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30-300x177.png 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30-1024x605.png 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30-250x148.png 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/capture-decran-2025-11-19-a-11.08.30-768x454.png 768w\" sizes=\"auto, (max-width: 1370px) 100vw, 1370px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/stek\/\" target=\"_self\" >Stek<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par la compagnie Intrepidus \/ Le Spot (Sion) \/ Du 15 au 16 novembre 2025 \/ Critique par Mathys Lonfat . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/stek\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23331 post type-post status-publish format-standard has-post-thumbnail category-critique category-onstage category-spectacle category-theatre-de-vidy tag-hadrien-halter tag-mathys-lonfat tag-maud-seem\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"626\" height=\"410\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/la-distance_couverture.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"la distance couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/la-distance_couverture.png 626w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/la-distance_couverture-300x196.png 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/la-distance_couverture-250x164.png 250w\" sizes=\"auto, (max-width: 626px) 100vw, 626px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/la-distance\/\" target=\"_self\" >La Distance<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Tiago Rodrigues \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 13 au 23 novembre 2025 \/ Critiques par Hadrien Halter, Maud Seem et Mathys Lonfat . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/la-distance\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23326 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-mathys-lonfat\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"415\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/vudu_couverture.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"vudu couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/vudu_couverture.jpg 632w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/vudu_couverture-300x197.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/vudu_couverture-250x164.jpg 250w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/vudu-3318-blixen\/\" target=\"_self\" >Vud\u00fa (3318) Blixen<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Ang\u00e9lica Liddell \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 7 au 9 novembre 2025 \/ Critique par Mathys Lonfat . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/vudu-3318-blixen\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23313 post type-post status-publish format-standard has-post-thumbnail category-critique category-equilibre-nuithonie category-expired category-spectacle tag-maud-seem tag-orane-gigon\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"330\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/berenice_couverture.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"b\u00e9r\u00e9nice couverture\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/berenice_couverture.jpg 590w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/berenice_couverture-300x168.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/berenice_couverture-250x140.jpg 250w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/berenice-2\/\" target=\"_self\" >B\u00e9r\u00e9nice<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;apr\u00e8s Jean Racine \/ Mise en sc\u00e8ne par Guy Cassiers \/ Th\u00e9\u00e2tre Equilibre-Nuithonie (Fribourg) \/ Mercredi 29 octobre 2025 \/ Critiques par Orane Gigon et Maud Seem . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/berenice-2\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><li class=\"wp-block-post post-23304 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-ilian-guesmia tag-maxime-grandjean\">\n<figure style=\"aspect-ratio:16\/9;\" class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1200\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"in bocca al lupo 2025chloe cohen 1703 web\" style=\"width:100%;height:100%;object-fit:cover;\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web.jpg 1800w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web-300x200.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web-1024x683.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web-250x167.jpg 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web-768x512.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2025\/11\/in-bocca-al-lupo-2025chloe-cohen-1703-web-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1800px) 100vw, 1800px\" \/><\/figure>\n\n<h5 class=\"wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/in-bocca-al-lupo\/\" target=\"_self\" >In bocca al lupo<\/a><\/h5>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Judith Zagury\/ Shanjulab\/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Du 30 octobre au 14 novembre 2025 \/ Critiques par Maxime Grandjean et Ilian Guesmia . <a class=\"wp-block-post-excerpt__more-link\" href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/11\/in-bocca-al-lupo\/\"> Lire l&rsquo;article<\/a><\/p><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-black-color has-alpha-channel-opacity has-black-background-color has-background is-style-wide\" \/>\n\n<\/li><\/ul>\n\n<nav class=\"wp-block-query-pagination has-background has-white-background-color has-medium-font-size is-content-justification-center is-nowrap is-layout-flex 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aria-hidden='true'>\u00bb<\/span><\/a>\n<\/nav><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":784,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-18095","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/18095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/784"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=18095"}],"version-history":[{"count":7,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/18095\/revisions"}],"predecessor-version":[{"id":21901,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/18095\/revisions\/21901"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=18095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}