{"id":17544,"date":"2024-02-27T10:27:26","date_gmt":"2024-02-27T09:27:26","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=17544"},"modified":"2025-03-31T14:52:21","modified_gmt":"2025-03-31T12:52:21","slug":"mathilde-feraud","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/mathilde-feraud\/","title":{"rendered":"Mathilde F\u00e9raud"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Mathilde F\u00e9raud :<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-19195 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-les-halles tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/06\/il-ny-a-que-les-chansons-de-variete-qui-disent-la-verite-nouvelle-generation\/\" target=\"_self\" >Il n\u2019y a que les chansons de vari\u00e9t\u00e9 qui disent la v\u00e9rit\u00e9 (nouvelle g\u00e9n\u00e9ration)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte et mise en sc\u00e8ne par Alexandre Doublet \/ Th\u00e9\u00e2tre les Halles (Sierre) \/ du 12 au 18 juin 2024\/ critique par Mathilde Feraud . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-18850 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/06\/neandertal\/\" target=\"_self\" >Neandertal<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte et mise en sc\u00e8ne par David Geselson \/ La Com\u00e9die (Gen\u00e8ve) \/ du 22 au 26 mai 2024 \/ Critique par Mathilde Feraud . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17868 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-clelie-vuillaume tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/04\/avant-la-terreur\/\" target=\"_self\" >Avant la terreur<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Shakespeare et autres textes \/ Mise en sc\u00e8ne de Vincent Macaigne \/ \u00a0Th\u00e9\u00e2tre de Vidy (Lausanne) \/ Critiques par Cl\u00e9lie Vuillaume et Mathilde Feraud. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17781 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-clelie-vuillaume tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/03\/rectum-crocodile\/\" target=\"_self\" >Rectum Crocodile<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Marvin M&rsquo;toumo \/ L&rsquo;Arsenic (Lausanne)\/ du 21 au 24 mars 2024 \/ Critiques par Mathilde Feraud et Cl\u00e9lie Vuillaume. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17752 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-carouge tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/03\/le-suicide\/\" target=\"_self\" >Le Suicid\u00e9<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Nicola\u00ef Erdman \/ mise en sc\u00e8ne de Jean Bellorini \/\u00a0Th\u00e9\u00e2tre de Carouge (Gen\u00e8ve) \/ du 1er\u00a0au 16 mars 2024 \/ Critique par Mathilde Feraud. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17740 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-des-marionnettes tag-marguerite-thery tag-mathilde-feraud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/03\/tchaika\/\" target=\"_self\" >Tcha\u00efka<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Librement inspir\u00e9 de\u00a0La Mouette d\u2019Anton Tchekhov\u00a0\/\u00a0mis en sc\u00e8ne par Natacha Belova et Tita Iacobelli \/ Th\u00e9\u00e2tre des marionnettes (Gen\u00e8ve)\/ du 19 au 24 mars 2024 \/ Critiques par Mathilde Feraud et Marguerite Thery. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Mathilde F\u00e9raud :<\/p>\n","protected":false},"author":1002694,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-17544","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/17544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002694"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=17544"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/17544\/revisions"}],"predecessor-version":[{"id":23061,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/17544\/revisions\/23061"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=17544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}