{"id":16942,"date":"2023-09-27T16:42:08","date_gmt":"2023-09-27T14:42:08","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=16942"},"modified":"2025-02-06T17:58:37","modified_gmt":"2025-02-06T16:58:37","slug":"enola-rindlisbacher","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/enola-rindlisbacher\/","title":{"rendered":"Enola Rindlisbacher"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques d&rsquo;Enola Rindlisbacher :<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-17822 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-enola-rindlisbacher\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/03\/entretien-avec-sophie-valentine-borloz-autour-de-la-piece-les-naufrageurs-2017\/\" target=\"_self\" >Entretien avec Sophie-Valentine Borloz\u00a0autour de la pi\u00e8ce\u00a0\u00ab\u00a0Les Naufrageurs\u00a0\u00bb\u00a0(2017)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Enola Rindlisbacher. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17826 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-enola-rindlisbacher\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2024\/03\/inedits-textes-dramatiques-partenariat-avec-le-courrier\/\" target=\"_self\" >Les Naufrageurs<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Pi\u00e8ce de Sophie-Valentine Borloz \/ Compte rendu par Enola Rindlisbacher. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17364 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-2-21-lausanne tag-enola-rindlisbacher tag-sophie-perruchoud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/nous-par-le-ciel-si-bas\/\" target=\"_self\" >Nous par le ciel si bas<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">\u00c9criture et mise en sc\u00e8ne\u00a0par Julien Mages \/ Cie Julien Mages\/ Th\u00e9\u00e2tre 2.21 (Lausanne) \/ du 5 au 22 d\u00e9cembre 2023 \/ Critique par Sophie Perruchoud et Enola Rindlisbacher. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17350 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-enola-rindlisbacher tag-sophie-perruchoud\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/inactuels\/\" target=\"_self\" >INACTUELS<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Chef de projet et mise en sc\u00e8ne\u00a0: Oscar G\u00f3mez Mata \/ Interpr\u00e9tation\u00a0: Oscar G\u00f3mez Mata et Juan Loriente \/ Arsenic (Lausanne) \/ du 7 au 10 d\u00e9cembre 2023 \/ critiques par Sophie Perruchoud et Enola Rindlisbacher. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17292 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-enola-rindlisbacher\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/figaro-divorce-2\/\" target=\"_self\" >Figaro divorce<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mise en sc\u00e8ne par Philippe Sireuil \/ d&rsquo;apr\u00e8s le texte d&rsquo;\u00d6d\u00f6n von Horv\u00e1th \/ Th\u00e9\u00e2tre des Osses (Fribourg) \/ du 08 au 28 d\u00e9cembre 2023 \/ critique par Enola Rindlisbacher <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17291 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-emma-chapatte tag-enola-rindlisbacher\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/un-prince-de-hombourg\/\" target=\"_self\" >Un Prince de Hombourg<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mise en sc\u00e8ne par Robert Cantarella \/ d\u2019apr\u00e8s le texte de Heinrich von Kleist \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ du 6 au 10 d\u00e9cembre 2023 \/ critiques par Emma Chapatte et Enola Rindlisbacher . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17278 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-poche category-spectacle tag-enola-rindlisbacher\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/le-si-peu-talentueux-mister-r\/\" target=\"_self\" >Le si peu talentueux Mister R.\u00a0<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte et mise en sc\u00e8ne par Jan Koslowski \/ POCHE\/GVE \/ du 20 novembre au 3 d\u00e9cembre 2023 \/ critique par Enola Rindlisbacher . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17257 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-enola-rindlisbacher tag-theo-krebs\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/12\/rivage-a-labandon-medee-materiau-paysage-avec-argonautes\/\" target=\"_self\" >Rivage \u00e0 l\u2019abandon, M\u00e9d\u00e9e-mat\u00e9riau, Paysage avec argonautes<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Heiner M\u00fcller \/ Mise en sc\u00e8ne par Matthias Langhoff \/ Th\u00e9\u00e2tre de Vidy \/ du 22 au 26 novembre 2023 \/ critiques par Th\u00e9o Krebs et Enola Rindlisbacher . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-17045 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-enola-rindlisbacher tag-joaquin-marine-pinero tag-sophie-perruchoud tag-theo-krebs\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2023\/10\/jardin-des-delices\/\" target=\"_self\" >Le Jardin des d\u00e9lices<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Philippe Quesne \/ Compagnie Vivarium Studio \/ Th\u00e9\u00e2tre de Vidy (Lausanne) \/ du 26 septembre au 5 octobre 2023 \/ critiques par Sophie Perruchoud, Joaquin Marin\u00e9 Pi\u00f1ero, Enola Rindlisbacher et Th\u00e9o Krebs . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques d&rsquo;Enola Rindlisbacher :<\/p>\n","protected":false},"author":1002694,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-16942","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/16942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002694"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=16942"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/16942\/revisions"}],"predecessor-version":[{"id":22340,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/16942\/revisions\/22340"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=16942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}