{"id":15515,"date":"2021-10-12T16:09:24","date_gmt":"2021-10-12T14:09:24","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=15515"},"modified":"2025-02-06T16:41:17","modified_gmt":"2025-02-06T15:41:17","slug":"celine-bignotti","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/celine-bignotti\/","title":{"rendered":"C\u00e9line Bignotti"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de C\u00e9line Bignotti : <\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-16443 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-maison-saint-gervais category-spectacle tag-celine-bignotti\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/10\/lost-for-life\/\" target=\"_self\" >Lost for Life<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte et mise en sc\u00e8ne de Lola Giouse \/ Jeu La Division de la joie \/ Th\u00e9\u00e2tre Saint-Gervais \u2013 Gen\u00e8ve \/ du 30 septembre au 9 octobre 2022 \/ critique par C\u00e9line Bignotti . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-16346 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-am-stram-gram-geneve tag-celine-bignotti tag-claire-cornaz\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/05\/le-colibri\/\" target=\"_self\" >Le Colibri<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte d\u2019\u00c9lisa Shua Dusapin \/ Mise en sc\u00e8ne par Joan Mompart \/ Musique de Christophe Sturzenegger \/ Th\u00e9\u00e2tre Am Stram Gram \/ Du 10 mai au 15 mai 2022 \/ critiques par Claire Cornaz et C\u00e9line Bignotti . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-16145 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-celine-bignotti tag-claire-cornaz\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/03\/stars\/\" target=\"_self\" >STARs<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">\u00c9crit et mis en sc\u00e8ne par Pascal Rambert \/ Com\u00e9die de Gen\u00e8ve \/ Du 23 mars au 02 avril 2022 \/ critiques par C\u00e9line Bignotti et Claire Cornaz . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-16129 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-antoine-klotz tag-celine-bignotti tag-claire-cornaz tag-clementine-glardon tag-melanie-carrel-2\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/03\/tartuffe-dapres-tartuffe-dapres-tartuffe-dapres-moliere\/\" target=\"_self\" >Tartuffe d\u2019apr\u00e8s Tartuffe d\u2019apr\u00e8s Tartuffe d\u2019apr\u00e8s Moli\u00e8re<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s la pi\u00e8ce de Moli\u00e8re \/ Conception Guillaume Bailliart (Groupe Fant\u00f4mas) \/ Th\u00e9\u00e2tre de Vidy \/ du 2 au 12 mars 2022 \/\u00a0critiques par Antoine Klotz, M\u00e9lanie Carrel, C\u00e9line Bignotti, Claire Cornaz et Cl\u00e9mentine Glardon . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15897 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-la-grange category-spectacle tag-celine-bignotti tag-nathan-maggetti\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/12\/le-balcon-ou-la-maison-dillusions\/\" target=\"_self\" >Le Balcon ou la Maison d\u2019illusions<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Jean Genet \/ Mise en sc\u00e8ne par Sandra Gaudin \/ Cie un air de rien \/ La Grange de Dorigny hors les murs \/ du 17 au 23 d\u00e9cembre 2021. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15747 post type-post status-publish format-standard has-post-thumbnail category-centre-pluriculturel-et-social-douchy category-critique category-expired category-spectacle tag-celine-bignotti tag-noemie-jeannet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/11\/parfois-je-parle-toute-seule\/\" target=\"_self\" >Parfois je parle toute seule<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte Antoine Jaccoud \/ Mise en sc\u00e8ne Matthias Urban \/ \u00a0CPO Ouchy \/ du 16 au 21 novembre 2021 \/ Critiques par No\u00e9mie Jeannet et C\u00e9line Bignotti . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15719 post type-post status-publish format-standard has-post-thumbnail category-critique category-equilibre-nuithonie category-expired category-spectacle tag-celine-bignotti tag-sarah-neu\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/11\/qui-a-peur-de-virginia-woolf\/\" target=\"_self\" >Qui a peur de Virginia Woolf ?<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte d\u2019Edward Albee \/ Mise en sc\u00e8ne par Julien Schmutz (Le Magnifique Th\u00e9\u00e2tre) \/\u00a0\u00c9quilibre Nuithonie \/ du 03 au 14 novembre \/\u00a0Critiques par C\u00e9line Bignotti et Sarah Neu . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15548 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-brian-aubert tag-celine-bignotti tag-elisa-andrade tag-frederique-sautin tag-hugo-merzeau tag-maelle-aeby-2 tag-michael-rolli tag-nathan-maggetti tag-sarah-neu tag-stella-wohlers tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/10\/piece-pour-les-vivant%c2%b7e%c2%b7x%c2%b7s-en-temps-dextinction\/\" target=\"_self\" >Pi\u00e8ce pour les vivant\u00b7e\u00b7x\u00b7s en temps d\u2019extinction<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Miranda Rose Hall \/ Mise en sc\u00e8ne par Katie Mitchell \/ Th\u00e9\u00e2tre de Vidy \u2013 Lausanne \/ du 25 septembre au 3 octobre 2021 \/ Critiques par Valentine Bovey, Sarah Neu, Fr\u00e9d\u00e9rique Sautin, Micha\u00ebl Rolli, Stella Wohlers, Nathan\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de C\u00e9line Bignotti :<\/p>\n","protected":false},"author":1002282,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-15515","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002282"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=15515"}],"version-history":[{"count":3,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15515\/revisions"}],"predecessor-version":[{"id":22242,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15515\/revisions\/22242"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=15515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}