{"id":15512,"date":"2021-10-12T16:08:19","date_gmt":"2021-10-12T14:08:19","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=15512"},"modified":"2025-02-06T16:37:14","modified_gmt":"2025-02-06T15:37:14","slug":"brian-aubert","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/brian-aubert\/","title":{"rendered":"Brian Aubert"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Les critiques de Brian Aubert :<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-16188 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-antoine-klotz tag-brian-aubert\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/04\/farm-fatale\/\" target=\"_self\" >Farm Fatale<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne de Philippe Quesne \/ Th\u00e9\u00e2tre de Vidy \/ du 30 mars au 3 avril 2022 \/ critiques par Brian Aubert et Antoine Klotz . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-16051 post type-post status-publish format-standard has-post-thumbnail category-centre-pluriculturel-et-social-douchy category-critique category-expired category-spectacle tag-brian-aubert tag-clementine-glardon\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/03\/mercury\/\" target=\"_self\" >Mercury<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Mise en sc\u00e8ne de Sophie Pasquet-Racine \/ Texte de Yvan Richardet \/ CPO-Ouchy \/ du 9 au 11 mars 2022 \/ critiques par Brian Aubert et Cl\u00e9mentine Glardon . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15998 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-brian-aubert\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/02\/entretien-avec-ludovic-chazaud\/\" target=\"_self\" >Entretien avec Ludovic Chazaud<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Brian Aubert. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15995 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-brian-aubert\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/02\/la-belle-et-la-bete-version-generation-z\/\" target=\"_self\" >La Belle et la B\u00eate version G\u00e9n\u00e9ration Z<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Ludovic Chazaud \/ Compte-rendu par Brian Aubert . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15991 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-brian-aubert\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/02\/entretien-avec-olivia-csiky-trnka\/\" target=\"_self\" >Entretien avec Olivia Csiky Trnka<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Brian Aubert. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15987 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-brian-aubert\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2022\/02\/lhomme-et-son-jardin-en-voie-de-disparition\/\" target=\"_self\" >L\u2019Homme et son jardin en voie de disparition<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D&rsquo;Olivia Csiky Trnka \/ Compte-rendu par Brian Aubert . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15548 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-brian-aubert tag-celine-bignotti tag-elisa-andrade tag-frederique-sautin tag-hugo-merzeau tag-maelle-aeby-2 tag-michael-rolli tag-nathan-maggetti tag-sarah-neu tag-stella-wohlers tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/10\/piece-pour-les-vivant%c2%b7e%c2%b7x%c2%b7s-en-temps-dextinction\/\" target=\"_self\" >Pi\u00e8ce pour les vivant\u00b7e\u00b7x\u00b7s en temps d\u2019extinction<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Miranda Rose Hall \/ Mise en sc\u00e8ne par Katie Mitchell \/ Th\u00e9\u00e2tre de Vidy \u2013 Lausanne \/ du 25 septembre au 3 octobre 2021 \/ Critiques par Valentine Bovey, Sarah Neu, Fr\u00e9d\u00e9rique Sautin, Micha\u00ebl Rolli, Stella Wohlers, Nathan\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Brian Aubert :<\/p>\n","protected":false},"author":1002282,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-15512","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1002282"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=15512"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15512\/revisions"}],"predecessor-version":[{"id":22236,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15512\/revisions\/22236"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=15512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}