{"id":15171,"date":"2021-05-18T09:27:21","date_gmt":"2021-05-18T07:27:21","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=15171"},"modified":"2025-02-11T10:59:48","modified_gmt":"2025-02-11T09:59:48","slug":"biennale-out-of-the-box","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/theatres-partenaires\/biennale-out-of-the-box\/","title":{"rendered":"Biennale Out of the Box"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><a href=\"https:\/\/biennaleoutofthebox.ch\/\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"166\" height=\"200\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2021\/05\/logo-biennale-des-arts-inclusifs-out-of-the-box-edition-2021@2x-166x200.png\" alt=\"\" class=\"wp-image-15172\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2021\/05\/logo-biennale-des-arts-inclusifs-out-of-the-box-edition-2021@2x-166x200.png 166w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2021\/05\/logo-biennale-des-arts-inclusifs-out-of-the-box-edition-2021@2x-141x170.png 141w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2021\/05\/logo-biennale-des-arts-inclusifs-out-of-the-box-edition-2021@2x.png 340w\" sizes=\"auto, (max-width: 166px) 100vw, 166px\" \/><\/a><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Critiques par spectacles jou\u00e9s dans ce th\u00e9\u00e2tre<\/h4>\n\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-23185 post type-post status-publish format-standard has-post-thumbnail category-biennale-out-of-the-box category-critique category-expired category-spectacle tag-hadrien-halter tag-muireann-walsh\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2025\/05\/biennale-out-of-the-box-biennale-des-arts-inclusifs\/\" target=\"_self\" >Biennale Out of the Box (Biennale des Arts inclusifs)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Iris, performance mise en sc\u00e8ne par Alessandro Sciarroni \/ Sacre ! Spectacle de danse mis en sc\u00e8ne par Teresa Vittucci, Annina Machaz et leTheater HORA \/ An Evening with Tito Bone, performance mise en sc\u00e8ne par Tito Bone\/ Critiques par\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15174 post type-post status-publish format-standard has-post-thumbnail category-biennale-out-of-the-box category-critique category-expired category-spectacle tag-darya-feral\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/05\/noces-de-vers\/\" target=\"_self\" >Noces de vers<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation et mise en sc\u00e8ne par Yann Marussich et Kamil Guenatri \/ En coproduction avec l\u2019ADC \u2013 l\u2019Association pour la danse contemporaine \/ Biennale \u00ab Out of the Box \u00bb \/ du 14 au 16 mai 2021 \/ Critique par\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Critiques par spectacles jou\u00e9s dans ce th\u00e9\u00e2tre<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2713,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-15171","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=15171"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15171\/revisions"}],"predecessor-version":[{"id":22806,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15171\/revisions\/22806"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2713"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=15171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}