{"id":15010,"date":"2021-03-22T17:29:42","date_gmt":"2021-03-22T16:29:42","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=15010"},"modified":"2025-02-07T09:34:15","modified_gmt":"2025-02-07T08:34:15","slug":"frederique-sautin","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/frederique-sautin\/","title":{"rendered":"Fr\u00e9d\u00e9rique Sautin"},"content":{"rendered":"<h4>Les critiques de Fr\u00e9d\u00e9rique Sautin :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-15686 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-frederique-sautin tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/11\/sous-influence\/\" target=\"_self\" >Sous influence<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s le film\u00a0Une femme sous influence\u00a0de John Cassavetes \/ Mise en sc\u00e8ne par Nina Negri \/ Th\u00e9\u00e2tre de Vidy \/ du 3 au 13 novembre 2021 \/ Critiques par Valentine Bovey et Fr\u00e9d\u00e9rique Sautin . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15548 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-brian-aubert tag-celine-bignotti tag-elisa-andrade tag-frederique-sautin tag-hugo-merzeau tag-maelle-aeby-2 tag-michael-rolli tag-nathan-maggetti tag-sarah-neu tag-stella-wohlers tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/10\/piece-pour-les-vivant%c2%b7e%c2%b7x%c2%b7s-en-temps-dextinction\/\" target=\"_self\" >Pi\u00e8ce pour les vivant\u00b7e\u00b7x\u00b7s en temps d\u2019extinction<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Miranda Rose Hall \/ Mise en sc\u00e8ne par Katie Mitchell \/ Th\u00e9\u00e2tre de Vidy \u2013 Lausanne \/ du 25 septembre au 3 octobre 2021 \/ Critiques par Valentine Bovey, Sarah Neu, Fr\u00e9d\u00e9rique Sautin, Micha\u00ebl Rolli, Stella Wohlers, Nathan\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15162 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-frederique-sautin tag-johanna-codourey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/05\/letang\/\" target=\"_self\" >L&rsquo;Etang<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Der Teich de Robert Walser \/ Mise en sc\u00e8ne de Gis\u00e8le Vienne \/ Th\u00e9\u00e2tre de Vidy \/ du 4 au 12 mai 2021 \/ Critiques par Fr\u00e9d\u00e9rique Sautin et Johanna Codourey . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15108 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-frederique-sautin tag-johanna-codourey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/05\/aureliens\/\" target=\"_self\" >Aur\u00e9liens<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s la conf\u00e9rence d\u2019Aur\u00e9lien Barrau \/ Mise en sc\u00e8ne par Fran\u00e7ois Gremaud \/ Captation exp\u00e9rimentale r\u00e9alis\u00e9e au Th\u00e9\u00e2tre de Vidy le 1er\u00a0d\u00e9cembre 2020 \/ Reprogramm\u00e9 du 7 au 10 juillet 2021 \/ Critiques par Johanna Codourey et Fr\u00e9d\u00e9rique Sautin . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15069 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-cloe-bensai tag-darya-feral tag-frederique-sautin tag-johanna-codourey tag-maelle-aeby-2 tag-michael-rolli tag-sarah-neu tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/04\/danse-delhi\/\" target=\"_self\" >Danse \u00ab Delhi \u00bb<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte d\u2019Ivan Viripaev \/ Mise en sc\u00e8ne par C\u00e9dric Dorier (Les C\u00e9l\u00e9brants) \/ Initialement programm\u00e9 \u00e0 La Grange de Dorigny en avril 2021 \/ Captation vid\u00e9o du 28 octobre 2020 au Th\u00e9\u00e2tre Oriental-Vevey \/ Critique par Sarah Neu, Micha\u00ebl Rolli,\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-15018 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-frederique-sautin\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2021\/03\/temple-du-present-solo-pour-octopus\/\" target=\"_self\" >Temple du pr\u00e9sent \u2013 Solo pour octopus<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation et mise en sc\u00e8ne par Stefan Kaegi (Rimini Protokoll), en collaboration avec ShanjuLab \/ Th\u00e9\u00e2tre de Vidy \/ F\u00e9vrier 2021 \/ Captation vid\u00e9o : 7 janvier 2021 (Spectacle programm\u00e9 initialement du 8-21 janvier 2021) \/ Critique par Fr\u00e9d\u00e9rique Sautin\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Fr\u00e9d\u00e9rique Sautin :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-15010","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=15010"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15010\/revisions"}],"predecessor-version":[{"id":22348,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/15010\/revisions\/22348"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=15010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}