{"id":14683,"date":"2020-09-26T21:26:56","date_gmt":"2020-09-26T19:26:56","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercritique\/?page_id=14683"},"modified":"2025-02-06T17:13:33","modified_gmt":"2025-02-06T16:13:33","slug":"charlyne-genoud","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/charlyne-genoud\/","title":{"rendered":"Charlyne Genoud"},"content":{"rendered":"<h4>Les critiques de Charlyne Genoud :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-14818 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-des-marionnettes tag-alicia-carron tag-amilou-parsons tag-charlyne-genoud tag-cloe-bensai tag-darya-feral tag-katharine-simblet tag-sarah-neu tag-simon-henein tag-stella-wohlers tag-valentine-bovey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2020\/11\/le-malade-imaginaire\/\" target=\"_self\" >Le Malade Imaginaire<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De Moli\u00e8re \/ Mise en sc\u00e8ne par Cyril Kaiser (compagnie Le Saule Rieur) \/ Th\u00e9\u00e2tre des marionnettes de Gen\u00e8ve \/ Spectacle programm\u00e9 en novembre 2020 annul\u00e9 apr\u00e8s une repr\u00e9sentation en raison des conditions sanitaires \/ Captation vid\u00e9o r\u00e9alis\u00e9e au Th\u00e9\u00e2tre\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14783 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-charlyne-genoud tag-cloe-bensai\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2020\/11\/cest-le-silence-qui-repond\/\" target=\"_self\" >C\u2019est le silence qui r\u00e9pond<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception et mise en sc\u00e8ne par Yves-No\u00ebl Genod \/ Arsenic \u2013 Centre d\u2019art sc\u00e9nique contemporain \/ du 26 octobre au 1er novembre 2020 \/ Critiques par Charlyne Genoud et Clo\u00e9 Bensa\u00ef. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14728 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-les-halles tag-charlyne-genoud tag-johanna-codourey\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2020\/10\/here-and-now\/\" target=\"_self\" >HERE AND NOW<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation et mise en sc\u00e8ne de Tr\u00e2n Tran \/ TLH \u2013 Sierre \/ du 8 au 10 octobre 2020 \/ Critiques par Charlyne Genoud et Johanna Codourey. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Charlyne Genoud :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-14683","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/14683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=14683"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/14683\/revisions"}],"predecessor-version":[{"id":22286,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/14683\/revisions\/22286"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=14683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}