{"id":13708,"date":"2019-09-29T14:54:31","date_gmt":"2019-09-29T12:54:31","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=13708"},"modified":"2025-02-06T17:04:37","modified_gmt":"2025-02-06T16:04:37","slug":"margaux-farron","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/margaux-farron\/","title":{"rendered":"Margaux Farron"},"content":{"rendered":"<h4>Les critiques de Margaux Farron :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-14137 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-margaux-farron tag-monique-kountangni\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2020\/02\/le-sexe-cest-degoutant\/\" target=\"_self\" >Le sexe c\u2019est d\u00e9go\u00fbtant<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte d&rsquo;Antoine Jaccoud \/ Mise en sc\u00e8ne de Matthias Urban \/ La Grange de Dorigny \/ du 31 janvier au 8 f\u00e9vrier 2020 \/ Critiques par Monique Kountangni et Margaux Farron. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14102 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tpr-la-chaux-de-fonds tag-emmanuel-jung tag-margaux-farron\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2020\/01\/small-g-une-idylle-dete\/\" target=\"_self\" >Small g \u2013 Une idylle d\u2019\u00e9t\u00e9<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Patricia Highsmith \/ Mise en sc\u00e8ne par Anne Bisang \/ TPR \u2013 Th\u00e9\u00e2tre populaire romand \/ du 16 au 19 janvier 2020 \/ Critiques par Margaux Farron et Emmanuel Jung. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14075 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-margaux-farron\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/12\/entretien-avec-emanuelle-delle-piane\/\" target=\"_self\" >Entretien avec Emanuelle Delle Piane<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Margaux Farron . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14079 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-margaux-farron\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/12\/reparer-labsence\/\" target=\"_self\" >Patch<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Pi\u00e8ce d\u2019Emanuelle Delle Piane \/ Critique par Margaux Farron. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14062 post type-post status-publish format-standard has-post-thumbnail category-expired category-spectacle tag-emmanuel-jung tag-margaux-farron tag-monique-kountangni\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/12\/ecritures-dramatiques-contemporaines-partenariat-avec-le-courrier-3\/\" target=\"_self\" >Ecritures dramatiques contemporaines \/ Partenariat avec Le Courrier<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Deux lundis par mois, pendant l\u2019\u00e9t\u00e9 2019, Le Courrier\u00a0a publi\u00e9 le texte in\u00e9dit (extrait) d\u2019un-e auteur-e de th\u00e9\u00e2tre suisse ou r\u00e9sidant en Suisse. L\u2019Atelier critique a eu acc\u00e8s \u00e0 la version int\u00e9grale de ces oeuvres et en propose aujourd\u2019hui une\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-14044 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-margaux-farron tag-noe-maggetti\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/12\/crash-park-la-vie-dune-ile\/\" target=\"_self\" >Crash Park, la vie d\u2019une \u00eele<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte et mise en sc\u00e8ne de Philippe Quesne \/ Th\u00e9\u00e2tre de Vidy \/ du 11 au 14 d\u00e9cembre 2019 \/ Critiques par No\u00e9 Maggetti et Margaux Farron. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13970 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-margaux-farron tag-sarah-juilland\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/12\/le-roi-se-meurt\/\" target=\"_self\" >Le roi se meurt<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte d\u2019Eug\u00e8ne Ionesco \/ Mise en sc\u00e8ne de C\u00e9dric Dorier \/ Th\u00e9\u00e2tre du Passage \/ 27 novembre 2019 \/ Critiques par Margaux Farron et Sarah Juilland. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13776 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-louise-philippossian tag-margaux-farron\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/10\/gouverneurs-de-la-rosee\/\" target=\"_self\" >Gouverneurs de la ros\u00e9e<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Jacques Roumain \/ Mise en sc\u00e8ne de Genevi\u00e8ve Pasquier \/ Th\u00e9\u00e2tre des Osses \/ du 10 au 20 octobre 2019 \/ Critiques par Margaux Farron et Louise Philippossian. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13731 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-jade-lambelet tag-margaux-farron\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/10\/sans-effort\/\" target=\"_self\" >Sans effort<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Non-\u00e9criture et fabrication de Tiphanie Bovay-Klameth, Jo\u00ebl Maillard et Marie Ripoll \/ Mise en sc\u00e8ne de Jo\u00ebl Maillard \/ Arsenic \u2013 Centre d\u2019art sc\u00e9nique contemporain \/ du 1er au 6 octobre 2019 \/ Critiques de Margaux Farron et Jade Lambelet.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Margaux Farron :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-13708","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=13708"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13708\/revisions"}],"predecessor-version":[{"id":22273,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13708\/revisions\/22273"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=13708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}