{"id":13207,"date":"2019-03-01T18:48:12","date_gmt":"2019-03-01T17:48:12","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=13207"},"modified":"2025-02-06T16:32:34","modified_gmt":"2025-02-06T15:32:34","slug":"fanny-agostino","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/fanny-agostino\/","title":{"rendered":"Fanny Agostino"},"content":{"rendered":"<h4>Les critiques de Fanny Agostino :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-13532 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-fanny-agostino tag-ivan-garcia tag-johanna-codourey tag-julia-cela tag-maxime-hoffmann tag-oceane-forster\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/05\/ecritures-dramatiques-contemporaines-partenariat-avec-le-courrier\/\" target=\"_self\" >Ecritures dramatiques contemporaines \/ Partenariat avec Le Courrier<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Deux lundis par mois, pendant l&rsquo;\u00e9t\u00e9 2018, Le Courrier a publi\u00e9 le texte in\u00e9dit (extrait) d\u2019un-e auteur-e de th\u00e9\u00e2tre suisse ou r\u00e9sidant en Suisse. L\u2019Atelier critique a eu acc\u00e8s \u00e0 la version int\u00e9grale de ces oeuvres et en propose aujourd&rsquo;hui\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13494 post type-post status-publish format-standard has-post-thumbnail category-entretien tag-fanny-agostino\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/05\/entretien-avec-jerome-richer\/\" target=\"_self\" >Entretien avec J\u00e9r\u00f4me Richer<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par Fanny Agostino . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13514 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle tag-fanny-agostino\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/05\/si-les-pauvres-nexistaient-pas-faudrait-les-inventer\/\" target=\"_self\" >La pauvret\u00e9 invisible et ses voix<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Pi\u00e8ce de J\u00e9r\u00f4me Richter \/ Compte-rendu par Fanny Agostino . <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13367 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-brice-torriani tag-fanny-agostino\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/granma-les-trombones-de-la-havane\/\" target=\"_self\" >Granma. Les trombones de La Havane<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Concept et mise en sc\u00e8ne de Stefan Kaegi &amp; Rimini Protokoll \/ Th\u00e9\u00e2tre de Vidy \/ du 28 au 31 mars 2019 \/ Critiques par Brice Torriani et Fanny Agostino. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Fanny Agostino :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-13207","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=13207"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13207\/revisions"}],"predecessor-version":[{"id":22229,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/13207\/revisions\/22229"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=13207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}