{"id":12804,"date":"2018-10-01T17:12:06","date_gmt":"2018-10-01T15:12:06","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=12804"},"modified":"2025-02-07T09:40:42","modified_gmt":"2025-02-07T08:40:42","slug":"brice-torriani","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/brice-torriani\/","title":{"rendered":"Brice Torriani"},"content":{"rendered":"<h4>Les critiques de Brice Torriani :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-13633 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-petitheatre-sion category-spectacle tag-brice-torriani tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/06\/histoires-sans-gloire-et-pratiquement-sans-peril-pour-quatre-voix-sur-une-pente-raide\/\" target=\"_self\" >Histoires sans gloire et pratiquement sans p\u00e9ril pour quatre voix sur une pente raide<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation du Collectif moiti\u00e9 moiti\u00e9 moiti\u00e9 \/ Petith\u00e9\u00e2tre de Sion \/ du 24 au 26 mai 2019 \/ Critiques par Lena Rossel et Brice Torriani. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13367 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-brice-torriani tag-fanny-agostino\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/granma-les-trombones-de-la-havane\/\" target=\"_self\" >Granma. Les trombones de La Havane<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Concept et mise en sc\u00e8ne de Stefan Kaegi &amp; Rimini Protokoll \/ Th\u00e9\u00e2tre de Vidy \/ du 28 au 31 mars 2019 \/ Critiques par Brice Torriani et Fanny Agostino. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13347 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-amina-gudzevic tag-brice-torriani tag-ivan-garcia tag-jade-lambelet tag-julia-cela tag-noe-maggetti tag-oceane-forster tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/imposture-posthume\/\" target=\"_self\" >Imposture posthume<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte, mise en sc\u00e8ne et jeu de Jo\u00ebl Maillard \/ Arsenic \u2013 Centre d\u2019art sc\u00e9nique contemporain \/ du 26 au 31 mars 2019 \/ Critiques par Laurane Quartenoud, Thibault Hugentobler, Amina Gudzevic, Jade Lambelet, Sarah Juilland, Ivan Garcia, Brice Torriani,\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13335 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-poche category-spectacle tag-brice-torriani tag-jade-lambelet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/lhistoire-mondiale-de-ton-ame\/\" target=\"_self\" >L\u2019Histoire mondiale de ton \u00e2me<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Textes d\u2019Enzo Cormann \/ Mise en sc\u00e8ne de Philippe Delaigue et Enzo Cormann \/ Th\u00e9\u00e2tre de Poche GVE \/ du 1er au 14 avril 2019 \/ Critiques par Brice Torriani et Jade Lambelet. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13254 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-la-grange category-spectacle tag-brice-torriani tag-maxime-hoffmann\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/03\/la-marquise-do\/\" target=\"_self\" >La marquise d&rsquo;O<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Heinrich von Kleist \/ Mise en sc\u00e8ne de Nathalie Sandoz \/ La Grange de Dorigny \/ du 14 au 17 mars 2019 \/\u00a0 Critiques par Brice Torriani et Maxime Hoffmann. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13037 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-brice-torriani tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/funerailles-dhiver\/\" target=\"_self\" >Fun\u00e9railles d\u2019hiver<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Hanokh Levin \/ Mise en sc\u00e8ne de Michael Delaunoy \/ Th\u00e9\u00e2tre du Passage \/ du 20 au 22 novembre 2018 \/ Critiques par Brice Torriani et Lena Rossel.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12959 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-brice-torriani tag-maxime-hoffmann\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/automne-hiver\/\" target=\"_self\" >Automne-Hiver<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s les textes de Charles Baudelaire et de Jean Racine \/ Mise en sc\u00e8ne et de Yves-No\u00ebl Genod \/ L\u2019Arsenic \/ du 1 au 4 novembre 2018 \/ Critiques par Brice Torriani et Maxime Hoffmann. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12938 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tpr-la-chaux-de-fonds tag-brice-torriani tag-jade-lambelet\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/10\/le-large-existe-mobile-1\/\" target=\"_self\" >Le Large existe (mobile 1)<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s les textes de Marguerite Duras, Guillaume Dustan et Guillaume Poix \/ De Manon Kr\u00fcttli et Jonas B\u00fchler \/ Mise en sc\u00e8ne de Manon Kr\u00fcttli \/ Th\u00e9\u00e2tre populaire romand \/ du 23 au 27 octobre 2018 \/ Critiques par Jade\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12857 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tkm-theatre-kleber-meleau tag-brice-torriani tag-jade-lambelet tag-nadege-parent tag-natacha-gallandat tag-noe-maggetti tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/10\/flammes\/\" target=\"_self\" >F(l)ammes<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019Ahmed Madani \/ TKM \u2013 Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau \/ du 25 au 29 septembre 2018 \/ Critiques par Sarah Juilland, No\u00e9 Maggetti, Thibault Hugentobler, Jade Lambelet, Brice Torriani, Natacha Gallandat et Nad\u00e8ge Parent. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Brice Torriani :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-12804","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=12804"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12804\/revisions"}],"predecessor-version":[{"id":22360,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12804\/revisions\/22360"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=12804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}