{"id":12801,"date":"2018-10-01T17:09:53","date_gmt":"2018-10-01T15:09:53","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=12801"},"modified":"2025-02-07T09:32:42","modified_gmt":"2025-02-07T08:32:42","slug":"lena-rossel","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/lena-rossel\/","title":{"rendered":"Lena Rossel"},"content":{"rendered":"<h4>Les critiques de Lena Rossel :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-13633 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-petitheatre-sion category-spectacle tag-brice-torriani tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/06\/histoires-sans-gloire-et-pratiquement-sans-peril-pour-quatre-voix-sur-une-pente-raide\/\" target=\"_self\" >Histoires sans gloire et pratiquement sans p\u00e9ril pour quatre voix sur une pente raide<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation du Collectif moiti\u00e9 moiti\u00e9 moiti\u00e9 \/ Petith\u00e9\u00e2tre de Sion \/ du 24 au 26 mai 2019 \/ Critiques par Lena Rossel et Brice Torriani. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13584 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tpr-la-chaux-de-fonds tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/05\/les-enfants-du-soleil\/\" target=\"_self\" >Les Enfants du Soleil<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Maxime Gorki \/ Mise en sc\u00e8ne de Christophe Sermet \/ TPR \u2013 Th\u00e9\u00e2tre Populaire Romand \/ 11 mai 2019 \/\u00a0 Critique par Lena Rossel. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13246 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-lena-rossel tag-sacha-toupance\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/03\/les-separables\/\" target=\"_self\" >Les S\u00e9parables<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Fabrice Melquiot \/ Mise en sc\u00e8ne de Dominique Catton et Christiane Suter \/ Th\u00e9\u00e2tre du Passage \/ 13 mars 2019 \/ Critiques par Lena Rossel et Sacha Toupance.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13179 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-petitheatre-sion category-spectacle tag-ivan-garcia tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/02\/avec-un-u-boot\/\" target=\"_self\" >&#8230; avec un U-Boot<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation de la compagnie You Should Meet My Cousins From Tchernobyl \/ Mise en sc\u00e8ne de Christian Cordonier et Isumi Grichting \/ Petith\u00e9\u00e2tre de Sion \/ du 31 janvier au 10 f\u00e9vrier 2019 \/ Critiques par Lena Rossel et Ivan\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13037 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-brice-torriani tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/funerailles-dhiver\/\" target=\"_self\" >Fun\u00e9railles d\u2019hiver<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Hanokh Levin \/ Mise en sc\u00e8ne de Michael Delaunoy \/ Th\u00e9\u00e2tre du Passage \/ du 20 au 22 novembre 2018 \/ Critiques par Brice Torriani et Lena Rossel.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13005 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-poche category-spectacle tag-lena-rossel tag-melanie-scyboz\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/la-largeur-du-bassin\/\" target=\"_self\" >La Largeur du Bassin<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Perrine G\u00e9rard \/ Mise en sc\u00e8ne de Lucile Carr\u00e9 \/ Th\u00e9\u00e2tre Poche Gve \/ du 12 novembre au 16 d\u00e9cembre 2018 \/ Critiques par Lena Rossel et M\u00e9lanie Scyboz. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12900 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-le-poche category-spectacle tag-lena-rossel\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/10\/la-resistance-thermale\/\" target=\"_self\" >La r\u00e9sistance thermale<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Ferdinand Schmalz \/ Traduction par Mathieu Bertholet \/ Mise en sc\u00e8ne de Jean-Daniel Piguet \/ Th\u00e9\u00e2tre Poche Gve \/ du 15 octobre au 16 d\u00e9cembre 2018 \/ Critique par Lena Rossel. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les critiques de Lena Rossel :<\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-12801","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=12801"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12801\/revisions"}],"predecessor-version":[{"id":22345,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12801\/revisions\/22345"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=12801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}