{"id":12764,"date":"2018-10-01T16:14:56","date_gmt":"2018-10-01T14:14:56","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=12764"},"modified":"2025-02-06T17:31:12","modified_gmt":"2025-02-06T16:31:12","slug":"thibault-hugentobler","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/thibault-hugentobler\/","title":{"rendered":"Thibault Hugentobler"},"content":{"rendered":"<div>\n<div align=\"right\">\n<figure id=\"attachment_13223\" aria-describedby=\"caption-attachment-13223\" style=\"width: 300px\" class=\"wp-caption alignright\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13223\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-300x200.jpg 300w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-250x167.jpg 250w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-768x512.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-1024x683.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02-624x416.jpg 624w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2019\/03\/Fe\u0301cule_Drame_DamienCarnal_02.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-13223\" class=\"wp-caption-text\">@ Damien Carnal<\/figcaption><\/figure>\n<p>\u00ab Vouloir toujours se refaire \u00bb<span style=\"font-size: 1rem\"><br \/>(Vincent Macaigne,\u00a0<\/span><i style=\"font-size: 1rem\">Le SMS de Cologne<\/i><span style=\"font-size: 1rem\">, 2013)<\/span><\/p>\n<\/div>\n<\/div>\n<div>\u00a0<\/div>\n<div>En tant que spectateur, je ressens deux manques.<\/div>\n<div>Le premier concerne mon ignorance des multiples arts de la sc\u00e8ne et de ses lieux de repr\u00e9sentation; en effet, je me cantonne \u00e0 des spectacles pr\u00e9sent\u00e9s dans des salles que je connais et qui ont pour d\u00e9nominateur commun une urgence \u00e0 confronter l\u2019individu dans la r\u00e9alit\u00e9 \u00e0 travers la fiction.<\/div>\n<div>Le second na\u00eet de ma difficult\u00e9 \u00e0 parler convenablement des pi\u00e8ces auxquelles j\u2019assiste.<\/div>\n<div>Ecrire pour l\u2019Atelier critique me permet de combler ces vides. Et c\u2019est cela que je suis venu chercher. Pouvoir commenter sans \u00eatre seulement \u00e9l\u00e9giaque et d\u00e9couvrir sans \u00eatre sceptique.<\/div>\n<h4>Les critiques de Thibault Hugentobler :<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-13802 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-emmanuel-jung tag-jade-lambelet tag-manon-lelievre tag-monique-kountangni tag-noe-maggetti tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/10\/la-vallee-de-letrange\/\" target=\"_self\" >La Vall\u00e9e de l&rsquo;\u00e9trange<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Thomas Melle et Stefan Kaegi (Rimini Protokoll) \/ Mise en sc\u00e8ne de Stefan Kaegi \/ Th\u00e9\u00e2tre de Vidy \/ du 25 septembre au 10 octobre 2019 \/ Critiques par Jade Lambelet, Emmanuel Jung, Sarah Juilland, Thibault Hugentobler, No\u00e9\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13770 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-2-21-lausanne tag-monique-kountangni tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/10\/mama\/\" target=\"_self\" >Mama<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Cr\u00e9ation et interpr\u00e9tation par Margot van Hove \/ Mise en sc\u00e8ne de Floriane M\u00e9sange \/ Th\u00e9\u00e2tre 2.21 \/ du 8 au 13 octobre 2019 \/ Critiques par Monique Kountagni et Thibault Hugentobler. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13347 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-amina-gudzevic tag-brice-torriani tag-ivan-garcia tag-jade-lambelet tag-julia-cela tag-noe-maggetti tag-oceane-forster tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/imposture-posthume\/\" target=\"_self\" >Imposture posthume<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte, mise en sc\u00e8ne et jeu de Jo\u00ebl Maillard \/ Arsenic \u2013 Centre d\u2019art sc\u00e9nique contemporain \/ du 26 au 31 mars 2019 \/ Critiques par Laurane Quartenoud, Thibault Hugentobler, Amina Gudzevic, Jade Lambelet, Sarah Juilland, Ivan Garcia, Brice Torriani,\u2026 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13321 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-sacha-toupance tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/04\/vr-i\/\" target=\"_self\" >VR-I<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Chor\u00e9graphie et conception de Gilles Jobin et Artanim \/ Com\u00e9die de Gen\u00e8ve \/ du 28 mars au 14 avril 2019 \/ Critiques par Thibault Hugentobler et Sacha Toupance.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13263 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-maison-saint-gervais category-spectacle tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/03\/mecanique-v\/\" target=\"_self\" >M\u00e9canique V<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Georges Feydeau \/ Conception par Julie Cloux et Matteo Zimmermann \/ Th\u00e9\u00e2tre Saint-Gervais \/ du 8 au 17 mars 2019 \/ Critique par Thibault Hugentobler. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13172 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/02\/le-journal-danne-frank\/\" target=\"_self\" >Le Journal d&rsquo;Anne Frank<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s les textes d\u2019Anne Frank \/ Mise en sc\u00e8ne de Genevi\u00e8ve Pasquier et Nicolas Rossier \/ Th\u00e9\u00e2tre des Osses \/ du 24 janvier au 10 f\u00e9vrier 2019 \/\u00a0 Critiques par Thibault Hugentobler et Sarah Juilland. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13131 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-noe-maggetti tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2019\/01\/le-royaume\/\" target=\"_self\" >Le Royaume<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s Lars Von Trier \/ Mise en sc\u00e8ne d\u2019Oscar G\u00f3mez Mata \/ Com\u00e9die de Gen\u00e8ve \/ du 22 janvier au 6 f\u00e9vrier 2019 \/\u00a0 Critiques par No\u00e9 Maggetti et Thibault Hugentobler. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-13018 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-des-marionnettes tag-sacha-toupance tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/meet-fred\/\" target=\"_self\" >Meet Fred<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De et par Hijinx Theatre en collaboration avec Blind Summit \/ Mise en sc\u00e8ne de Ben Pettitt-Wade \/ Th\u00e9\u00e2tre des Marionnettes de Gen\u00e8ve \/ du 15 au 20 novembre 2018 \/ Critiques par Thubault Hugentobler et Sacha Toupance. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12981 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-passage tag-noe-maggetti tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/11\/amphitryon\/\" target=\"_self\" >Amphitryon<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Moli\u00e8re \/ Mise en sc\u00e8ne de St\u00e9phanie Tesson \/ Th\u00e9\u00e2tre du Passage \/ 1er novembre 2018 \/ Critiques par No\u00e9 Maggetti et Thibault Hugentobler. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-12857 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tkm-theatre-kleber-meleau tag-brice-torriani tag-jade-lambelet tag-nadege-parent tag-natacha-gallandat tag-noe-maggetti tag-sarah-juilland tag-thibault-hugentobler\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2018\/10\/flammes\/\" target=\"_self\" >F(l)ammes<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019Ahmed Madani \/ TKM \u2013 Th\u00e9\u00e2tre Kl\u00e9ber-M\u00e9leau \/ du 25 au 29 septembre 2018 \/ Critiques par Sarah Juilland, No\u00e9 Maggetti, Thibault Hugentobler, Jade Lambelet, Brice Torriani, Natacha Gallandat et Nad\u00e8ge Parent. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Vouloir toujours se refaire \u00bb(Vincent Macaigne,\u00a0Le SMS de Cologne, 2013) \u00a0 En tant que spectateur, je ressens deux manques. Le premier concerne mon ignorance des multiples arts de la &hellip; <\/p>\n","protected":false},"author":1001835,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-12764","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/1001835"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=12764"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12764\/revisions"}],"predecessor-version":[{"id":22302,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/12764\/revisions\/22302"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=12764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}