{"id":11110,"date":"2017-03-07T00:24:10","date_gmt":"2017-03-06T23:24:10","guid":{"rendered":"http:\/\/wp.unil.ch\/ateliercritique\/?page_id=11110"},"modified":"2025-02-06T17:21:18","modified_gmt":"2025-02-06T16:21:18","slug":"laure-elie-hoegen","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercritique\/lequipe\/laure-elie-hoegen\/","title":{"rendered":"Laure-Elie Hoegen"},"content":{"rendered":"<p><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11350 alignright\" src=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-267x200.jpg\" alt=\"\" width=\"267\" height=\"200\" srcset=\"https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-267x200.jpg 267w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-227x170.jpg 227w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-768x576.jpg 768w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-1024x768.jpg 1024w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133-624x468.jpg 624w, https:\/\/wp.unil.ch\/ateliercritique\/files\/2017\/03\/DSC03133.jpg 1067w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><\/p>\n<div>\n<p>Il faut s\u2018imaginer des voix, des polyphonies, des mimiques, des costumes sur sc\u00e8ne;<\/p>\n<p>avec des interm\u00e8des musicaux, des vid\u00e9os, des figures en action;<\/p>\n<p>accompagn\u00e9s et soutenus par des spectateurs attentifs, attendris, riant aux \u00e9clats ou ennuy\u00e9s;<\/p>\n<p>Il faut s\u2018imaginer cet espace artistique qui peut \u00eatre socialement agissant. Le tout coupl\u00e9 \u00e0 l\u2018envie d\u2018archiver et d\u2018observer : h\u00e9, \u00e0 nos plumes! La critique peaufine mon regard de spectatrice et de com\u00e9dienne en herbe et me permet d\u2018envisager, \u00e0 l\u2018issue de mes \u00e9tudes germanistiques et de ma sp\u00e9cialisation en dramaturgie, un nouveau lieu de vie pour la litt\u00e9rature.<\/p>\n<\/div>\n<h4>Les critiques de Laure-Elie Hoegen\u00a0:<\/h4>\n\n\n<div class=\"wp-block-query is-layout-flow wp-block-query-is-layout-flow\"><ul class=\"wp-block-post-template is-layout-flow wp-block-post-template-is-layout-flow\"><li class=\"wp-block-post post-11775 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-tpr-la-chaux-de-fonds tag-jehanne-denogent tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/06\/perdre-le-nord\/\" target=\"_self\" >Perdre le nord<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Texte de Christiane Th\u00e9bert \/ conception Claude Th\u00e9bert \/ TPR &#8211; Th\u00e9\u00e2tre Populaire Romand (Hors les murs) \/ La Chaux-de-Fonds \/ 21 juin 2017 \/ Critiques par Jehanne Denogent et Laure-Elie Hoegen.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11736 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-am-stram-gram-geneve tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/06\/very-bat-trip\/\" target=\"_self\" >Very bat trip<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Conception : Fabrice Melquiot \/ R\u00e9alisation : Eric Linder, Fabrice Melquiot et Pascal Moeschler \/ Th\u00e9\u00e2tre Am Stram Gram \u2013 hors les murs dans le Bois de la B\u00e2tie \/ du 8 au 11 juin \/ Critique par Laure-Elie Hoegen.\u00a0 <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11688 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-du-jorat tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/06\/you-me\/\" target=\"_self\" >You &amp; Me<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Par les Mummenschanz avec Floriana Frassetto, Christa Barrett, Kevin Blaser, Sara Hermann, Oliver Pfulg \/ Direction artistique : Eric Sauge \/ Th\u00e9\u00e2tre du Jorat \/ du 30 mai au 4 juin \/ Critique par Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11666 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-des-osses category-spectacle tag-artemisia-romano tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/05\/printemps-des-compagnies\/\" target=\"_self\" >Printemps des compagnies<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Th\u00e9\u00e2tre des Osses \/ du 19 au 21 mai et du 25 au 27 mai 2017 \/ Critiques par Laure-Elie Hoegen et Artemisia Romano. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11614 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-laure-elie-hoegen tag-marek-chojecki\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/05\/chekhovs-first-play\/\" target=\"_self\" >Chekhov\u2019s First Play<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019apr\u00e8s\u00a0Platonov d\u2019Anton Tchekhov \/ Par la compagnie Dead Centre \/ Th\u00e9\u00e2tre de Vidy \/ Du 17 au 20 mai 2017 \/ Critiques par Marek Chojecki et Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11555 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-maison-saint-gervais category-spectacle tag-laure-elie-hoegen tag-margot-prodhom\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/05\/la-ligne\/\" target=\"_self\" >La Ligne<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Direction artistique de Jean-Baptiste Roybon \/ Production de la Compagnie Kokodyniack \/ Th\u00e9\u00e2tre Saint-Gervais \/ du 9 au 20 mai 2017 \/ Critique par Margot Prod&rsquo;hom et Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11507 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-comedie category-spectacle tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/05\/ca-ira-1-fin-de-louis\/\" target=\"_self\" >\u00c7a ira (1) Fin de Louis<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">De et mise en sc\u00e8ne Jo\u00ebl Pommerat \/ Com\u00e9die de Gen\u00e8ve (B\u00e2timent des Forces Motrices) \/ 02 au 03 mai 2017\/ Critique par Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11441 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-spectacle category-theatre-de-vidy tag-josefa-terribilini tag-laure-elie-hoegen\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/04\/le-zoophile\/\" target=\"_self\" >Le Zoophile<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">D\u2019Antoine Jaccoud \/ Mise en sc\u00e8ne d\u2019\u00c9milie Charriot \/ du 26 avril au 3 mai 2017 \/ Th\u00e9\u00e2tre de Vidy \/ Critiques par Josefa Terribilini et Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><li class=\"wp-block-post post-11330 post type-post status-publish format-standard has-post-thumbnail category-critique category-expired category-theatre-de-larsenic category-spectacle tag-laure-elie-hoegen tag-margot-prodhom\">\n<h6 class=\"liensouligne wp-block-post-title\"><a href=\"https:\/\/wp.unil.ch\/ateliercritique\/2017\/04\/etudes-heretiques-1-7\/\" target=\"_self\" >Etudes h\u00e9r\u00e9tiques 1-7<\/a><\/h6>\n\n<div class=\"wp-block-post-excerpt\"><p class=\"wp-block-post-excerpt__excerpt\">Concept Antonija Livingstone et Nadia Lauro \/ Arsenic \/ du 31 mars au 1er avril 2017 \/ Critiques par Margot Prod&rsquo;hom et Laure-Elie Hoegen. <\/p><\/div>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<\/li><\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Il faut s\u2018imaginer des voix, des polyphonies, des mimiques, des costumes sur sc\u00e8ne; avec des interm\u00e8des musicaux, des vid\u00e9os, des figures en action; accompagn\u00e9s et soutenus par des spectateurs attentifs, &hellip; <\/p>\n","protected":false},"author":784,"featured_media":0,"parent":2716,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-11110","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/11110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/users\/784"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/comments?post=11110"}],"version-history":[{"count":1,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/11110\/revisions"}],"predecessor-version":[{"id":22299,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/11110\/revisions\/22299"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/pages\/2716"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercritique\/wp-json\/wp\/v2\/media?parent=11110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}