{"id":909,"date":"2025-11-11T15:21:00","date_gmt":"2025-11-11T14:21:00","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercomparatiste\/?p=909"},"modified":"2025-11-24T15:25:54","modified_gmt":"2025-11-24T14:25:54","slug":"charles-chevalley","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/ateliercomparatiste\/charles-chevalley\/","title":{"rendered":"Charles Chevalley"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\">Ses publications<\/h6>\n\n\n<ul class=\"wp-block-latest-posts__list has-dates wp-block-latest-posts has-small-font-size\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"380\" height=\"518\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"D\u00e9tail du tableau de Klint : sombre, avec des poissons de multiples couleurs, des formes g\u00e9om\u00e9triques, une horloge.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390.jpeg 380w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390-220x300.jpeg 220w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/quand-la-memoire-devient-recit-voix-transmission-et-fragilite\/\">Quand la m\u00e9moire devient r\u00e9cit&nbsp;: voix, transmission et fragilit\u00e9<\/a><time datetime=\"2026-01-22T15:42:58+01:00\" class=\"wp-block-latest-posts__post-date\">22 janvier 2026<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Trois romans, trois dispositifs narratifs, pour penser la m\u00e9moire comme exp\u00e9rience fragile, transmission collective ou geste ritualis\u00e9. Une lecture comparatiste qui \u00e9claire la mani\u00e8re dont la litt\u00e9rature r\u00e9siste \u00e0 l\u2019effacement et politise le souvenir. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"788\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/9782330209940_couv_300-scaled-1-754x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Couverture sobre du livre.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/9782330209940_couv_300-scaled-1-754x1024.jpg 754w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/9782330209940_couv_300-scaled-1-221x300.jpg 221w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/9782330209940_couv_300-scaled-1-768x1043.jpg 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/9782330209940_couv_300-scaled-1-e1769091818617.jpg 589w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/les-entrailles-de-la-violence\/\">Les entrailles de la violence<\/a><time datetime=\"2026-01-22T15:32:00+01:00\" class=\"wp-block-latest-posts__post-date\">22 janvier 2026<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Avec\u202fson premier roman <em>D\u00e9truire tout<\/em>, Bernard Bourrit ne se contente pas de raconter un crime&nbsp;: il s\u2019attache aux conditions qui ont rendu une telle destruction possible.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"758\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/passageres_de_nuit.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Yanick Lahens, Passag\u00e8res de nuit : couverture sobre de la maison d&#039;\u00e9dition.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/passageres_de_nuit.jpg 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/passageres_de_nuit-229x300.jpg 229w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/dans-les-nuits-de-lhistoire\/\">Dans les nuits de l\u2019histoire<\/a><time datetime=\"2026-01-22T15:20:48+01:00\" class=\"wp-block-latest-posts__post-date\">22 janvier 2026<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Avec\u202f<em>Passag\u00e8res de la nuit<\/em>, Yanick Lahens offre bien plus qu\u2019une saga familiale&nbsp;: une travers\u00e9e po\u00e9tique de vies de femmes noires, o\u00f9 la douleur trouve ses mots et la m\u00e9moire, son chemin. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"924\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/le-nom-des-rois-643x1024.webp\" class=\"attachment-large size-large wp-post-image\" alt=\"Charif Majdalani, Le Nom des rois, Paris, Stock, 2025.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/le-nom-des-rois-643x1024.webp 643w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/le-nom-des-rois-188x300.webp 188w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/le-nom-des-rois-768x1223.webp 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/le-nom-des-rois-e1764066672123.webp 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/la-fin-dun-monde\/\">La fin d&rsquo;un monde<\/a><time datetime=\"2025-11-24T16:27:13+01:00\" class=\"wp-block-latest-posts__post-date\">24 novembre 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Entre l\u2019\u00e9clat d\u2019un Liban prosp\u00e8re et sa chute dans la guerre, avec <em>Le Nom des rois<\/em>, Charif Majdalani signe une autofiction sensible o\u00f9 les r\u00eaveries de l\u2019enfance se heurtent \u00e0 l\u2019Histoire.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"571\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/dead-drop.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"La Gale, Dead Drop, Lausanne, La Veilleuse, 2025.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/dead-drop.jpg 400w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/11\/dead-drop-210x300.jpg 210w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/du-mic-au-roman\/\">Du mic au roman<\/a><time datetime=\"2025-11-11T15:20:39+01:00\" class=\"wp-block-latest-posts__post-date\">11 novembre 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Rappeuse incisive, La Gale transforme son flow en prose. Avec\u202f<em>Dead Drop<\/em>, elle signe un premier roman haletant, \u00e0 la crois\u00e9e du polar social, de la contre-culture et de la cybercriminalit\u00e9. <\/div><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Charles Chevalley \u00e9tudie l\u2019anglais et l\u2019histoire \u00e0 l\u2019Universit\u00e9 de Lausanne, o\u00f9 il pr\u00e9pare un m\u00e9moire sur la politique f\u00e9d\u00e9rale suisse des ann\u00e9es 1970. Il s\u2019int\u00e9resse aux formes de la critique, \u00e0 leurs enjeux esth\u00e9tiques et aux multiples fa\u00e7ons de saisir le r\u00e9el.<\/p>\n","protected":false},"author":1003081,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[17],"tags":[],"class_list":{"0":"post-909","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-biobibliographie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/users\/1003081"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/comments?post=909"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/909\/revisions"}],"predecessor-version":[{"id":915,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/909\/revisions\/915"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media?parent=909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/categories?post=909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/tags?post=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}