{"id":378,"date":"2025-05-16T17:32:46","date_gmt":"2025-05-16T15:32:46","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercomparatiste\/?p=378"},"modified":"2025-06-03T12:14:16","modified_gmt":"2025-06-03T10:14:16","slug":"malika-vorlet","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/ateliercomparatiste\/malika-vorlet\/","title":{"rendered":"Malika Vorlet"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\">Ses publications<\/h6>\n\n\n<ul class=\"wp-block-latest-posts__list has-dates wp-block-latest-posts has-small-font-size\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"870\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-683x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Illustration \u00e0 venir.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-683x1024.jpg 683w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-200x300.jpg 200w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-768x1152.jpg 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-e1751020700556.jpg 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/memoires-critiques-retour-reflexif\/\">M\u00e9moires critiques : retour r\u00e9flexif<\/a><time datetime=\"2025-06-23T09:45:50+02:00\" class=\"wp-block-latest-posts__post-date\">23 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Dans le cadre de l\u2019Atelier des comparatistes, j\u2019ai choisi de me confronter \u00e0 l\u2019exercice de la critique litt\u00e9raire, une pratique famili\u00e8re en tant qu\u2019objet d\u2019\u00e9tude et de r\u00e9flexion, mais que je d\u00e9couvrais dans sa pratique. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"500\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/9782889074648-475x500-1-172593521.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Couverture de Max Lobe, La Danse des p\u00e8res. Sur fond bleu, la silhouette noire d&#039;un homme la t\u00eate lev\u00e9e vers le ciel.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/9782889074648-475x500-1-172593521.jpg 336w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/9782889074648-475x500-1-172593521-202x300.jpg 202w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/la-emdanse-em-intime-politique-et-liberatrice-emdes-peres-em\/\">La <em>danse<\/em> intime, politique et lib\u00e9ratrice <em>des p\u00e8res<\/em><\/a><time datetime=\"2025-06-02T08:54:03+02:00\" class=\"wp-block-latest-posts__post-date\">2 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Dans les pas de ceux qui l\u2019ont pr\u00e9c\u00e9d\u00e9, Max Lobe explore un pass\u00e9 marqu\u00e9 par diff\u00e9rentes cultures, des identit\u00e9s et des h\u00e9ritages familiaux complexes, de son enfance en Afrique \u00e0 sa vie actuelle \u00e0 Gen\u00e8ve.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"865\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/zoe-jemereveilleraiunmatinsousuncielnouveau-rvb-687x1024.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"Anne Br\u00e9cart, Je me r\u00e9veillerai un matin sous un ciel nouveau, Gen\u00e8ve, Zo\u00e9, 2025, 144 pages.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/zoe-jemereveilleraiunmatinsousuncielnouveau-rvb-687x1024.jpeg 687w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/zoe-jemereveilleraiunmatinsousuncielnouveau-rvb-201x300.jpeg 201w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/zoe-jemereveilleraiunmatinsousuncielnouveau-rvb-768x1145.jpeg 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/zoe-jemereveilleraiunmatinsousuncielnouveau-rvb-e1747767154544.jpeg 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/je-me-reveillerai-un-matin-sous-un-ciel-nouveau-ou-le-chemin-vers-la-renaissance\/\"><em>Je me r\u00e9veillerai un matin sous un ciel nouveau<\/em> ou le chemin vers la renaissance\u00a0<\/a><time datetime=\"2025-05-21T09:59:03+02:00\" class=\"wp-block-latest-posts__post-date\">21 mai 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Quand elle rencontre S., un s\u00e9duisant enseignant, le d\u00e9sir d\u2019une nouvelle relation vient troubler davantage un ciel d\u00e9j\u00e0 agit\u00e9. Ce roman retrace d\u2019une mani\u00e8re touchante quelques mois de la vie d\u2019une femme.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"735\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/glace-morte.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Walter Rosselli, Glace morte, Gen\u00e8ve, Slatkine, 2025, 152 pages.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/glace-morte.jpg 400w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/glace-morte-163x300.jpg 163w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/glace-morte-ou-le-cri-dune-nature-en-sursis\/\"><em>Glace morte<\/em> ou le cri d\u2019une nature en sursis<\/a><time datetime=\"2025-05-21T09:50:42+02:00\" class=\"wp-block-latest-posts__post-date\">21 mai 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">En racontant la derni\u00e8re marche d&rsquo;un fr\u00e8re et d&rsquo;une s\u0153ur, Walter Rosselli peint avec po\u00e9sie une montagne meurtrie par l\u2019activit\u00e9 humaine et les d\u00e9r\u00e8glements climatiques qu\u2019elle a engendr\u00e9s, en m\u00eame temps que le caract\u00e8re pr\u00e9cieux de la vie v\u00e9cue.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"533\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/05\/9782848055497_1_75-e1747400755322.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Sarah Jollien-Fardel, La Longe, Paris, Sabine Wespieser, 2024, 160 pages.\" style=\"max-width:256px;max-height:256px;\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/de-lemoi-a-leffroi\/\">De l&rsquo;\u00e9moi \u00e0 l&rsquo;effroi<\/a><time datetime=\"2025-05-16T15:05:20+02:00\" class=\"wp-block-latest-posts__post-date\">16 mai 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">La volont\u00e9 de Camil d\u2019aider sa femme \u00e0 se reconstruire excuse-t-elle l\u2019excessive violence de ses actions\u202f? C\u2019est sur un go\u00fbt amer que nous laisse ce d\u00e9nouement, o\u00f9 l\u2019amour semble pardonner tous les exc\u00e8s\u2026 <\/div><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Malika Vorlet \u00e9tudie le fran\u00e7ais \u00e0 l\u2019Universit\u00e9 de Lausanne et a r\u00e9alis\u00e9 une sp\u00e9cialisation en Histoire du livre et en \u00e9dition critique. Elle s\u2019int\u00e9resse actuellement \u00e0 la critique litt\u00e9raire de la fin du XX<sup>e<\/sup>\u00a0si\u00e8cle et \u00e0 la question du plaisir de la lecture.<\/p>\n","protected":false},"author":1002274,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[17],"tags":[],"class_list":{"0":"post-378","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-biobibliographie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/users\/1002274"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/comments?post=378"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/378\/revisions"}],"predecessor-version":[{"id":722,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/378\/revisions\/722"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media?parent=378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/categories?post=378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/tags?post=378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}