{"id":344,"date":"2025-05-05T10:41:33","date_gmt":"2025-05-05T08:41:33","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercomparatiste\/?p=344"},"modified":"2025-06-03T12:13:33","modified_gmt":"2025-06-03T10:13:33","slug":"maxime-fanti","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/ateliercomparatiste\/maxime-fanti\/","title":{"rendered":"Maxime Fanti"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\">Ses publications<\/h6>\n\n\n<ul class=\"wp-block-latest-posts__list has-dates wp-block-latest-posts has-small-font-size\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"645\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/face-des-powerpoint-mioniature.png\" class=\"attachment-large size-large wp-post-image\" alt=\"Panneau o\u00f9 l&#039;on voit les d\u00e9s. Les premiers sont le glacier, l&#039;igloo des invit\u00e9s, la cantine, l&#039;atelier d&#039;art, la tour de contr\u00f4le, le laboratoire d&#039;analyse de glace. Ensuite ennui, s\u00e9r\u00e9nit\u00e9, anxi\u00e9t\u00e9, surprise, suspicion, joie\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/face-des-powerpoint-mioniature.png 452w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/face-des-powerpoint-mioniature-210x300.png 210w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/shapeplayer-installer-le-toucher-au-coeur-de-la-narration\/\"><em>Shapeplayer<\/em>&nbsp;: installer le toucher au c\u0153ur de la narration<\/a><time datetime=\"2026-01-22T15:04:01+01:00\" class=\"wp-block-latest-posts__post-date\">22 janvier 2026<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Le projet Shapeplayer est un jeu de soci\u00e9t\u00e9 coop\u00e9ratif bas\u00e9 sur le sens du toucher, ainsi que sur la cr\u00e9ation d&rsquo;histoire dans une di\u00e9g\u00e8se d\u00e9limit\u00e9e. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"876\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-678x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"John C. Hartsock, Literary Journalism and the Aesthetics of experience, Amherst, University of Massachusetts Press, 2016.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-678x1024.png 678w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-199x300.png 199w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-768x1160.png 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-e1750693907597.png 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/les-concepts-itinerants-peuvent-ils-vraiment-voyager-difficultes-de-traduction-en-contexte-academique\/\">Les concepts itin\u00e9rants peuvent-ils vraiment voyager\u00a0? Difficult\u00e9s de traduction en contexte acad\u00e9mique<\/a><time datetime=\"2025-06-23T17:53:05+02:00\" class=\"wp-block-latest-posts__post-date\">23 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">La traduction de concepts et de notions en contexte acad\u00e9mique est n\u00e9cessaire \u00e0 la circulation des id\u00e9es. Cette op\u00e9ration pr\u00e9sente des difficult\u00e9s pratiques \u2013\u00a0mais celles-ci offrent aussi l&rsquo;occasion de remettre du jeu dans la pens\u00e9e. Il s&rsquo;agit ici d&rsquo;y r\u00e9fl\u00e9chir \u00e0 partir d&rsquo;un exemple concret de traduction vers le fran\u00e7ais d&rsquo;un chapitre \u00e9crit en anglais et en partie bas\u00e9 sur un appareil notionnel francophone (mais l\u00e9g\u00e8rement d\u00e9plac\u00e9 en anglais).<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"622\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/04\/2024_charloose-e1746020218903.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Nina Pellegrino, Charloose, Gen\u00e8ve, Cousu mouche, 2024.\" style=\"max-width:256px;max-height:256px;\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/charloose-la-folie-des-glandeurs\/\"><em>Charloose<\/em> : la folie des glandeurs<\/a><time datetime=\"2025-04-30T16:25:11+02:00\" class=\"wp-block-latest-posts__post-date\">30 avril 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Le premier roman de Nina Pellegrino troque le motif du voyage initiatique pour celui, plus contemporain et palpitant, du road-trip perverti.<\/div><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Maxime Fanti \u00e9tudie le fran\u00e7ais et l&rsquo;anglais \u00e0 l&rsquo;Universit\u00e9 de Lausanne. Il s&rsquo;int\u00e9resse aux tensions entre \u00e9critures fictionnelles et non-fictionnelles chez les \u00e9crivain\u00b7e\u00b7s-reporters.<\/p>\n","protected":false},"author":1002274,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[17],"tags":[],"class_list":{"0":"post-344","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-biobibliographie"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/users\/1002274"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"predecessor-version":[{"id":719,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/344\/revisions\/719"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}