{"id":1061,"date":"2026-05-11T10:15:26","date_gmt":"2026-05-11T08:15:26","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercomparatiste\/?p=1061"},"modified":"2026-05-14T15:09:01","modified_gmt":"2026-05-14T13:09:01","slug":"un-aller-sans-retour","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/ateliercomparatiste\/un-aller-sans-retour\/","title":{"rendered":"Un aller sans retour"},"content":{"rendered":"\n<p>\u00ab&nbsp;Regarde mes jambes et mes pieds regarde mes bras et mes mains je n\u2019ai pas d\u2019ailes je ne peux pas voler comme toi Mo\u00efse&nbsp;\u00bb (p. 63). Avec son premier et ambitieux roman <em>Viens \u00c9lie<\/em>, le jeune auteur bernois Jonas Sollberger \u00e9voque un aller sans retour intrigant&nbsp;: celui d\u2019\u00c9lie parti \u00e0 la recherche de son oiseau Mo\u00efse. Ce court p\u00e9riple plonge les lecteurs et lectrices dans l\u2019inqui\u00e9tude du jeune adulte, pr\u00e9occup\u00e9 par la perte de son animal et appr\u00e9hendant sa journ\u00e9e de recrutement \u00e0 l\u2019arm\u00e9e du lendemain.<\/p>\n\n\n\n<p>Au fil des pages et au gr\u00e9 d\u2019un voyage qui s\u2019av\u00e9rera initiatique, \u00c9lie s\u2019enfonce dans la for\u00eat au cr\u00e9puscule. Le coucher de soleil s\u2019\u00e9tire comme le flux de pens\u00e9e du narrateur. Se d\u00e9veloppant telle une spirale paradoxalement articul\u00e9e par l&rsquo;absence quasi totale de ponctuation, le texte \u00e9claire progressivement, \u00e0 l\u2019instar du film <em>Je t\u2019aime, je t\u2019aime<\/em> d\u2019Alain Resnais, une m\u00e9moire fragmentaire&nbsp;: celle d\u2019un protagoniste ressassant sans arr\u00eat un souvenir, dans lequel on d\u00e9c\u00e8le un \u00e9v\u00e9nement r\u00e9v\u00e9lateur d\u2019une identit\u00e9 en construction.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-l-039-atelier-comparatiste wp-block-embed-l-039-atelier-comparatiste\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"Tzuay7SGSQ\"><a href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/tiago-da-cruz-fernandes\/\">Tiago Da Cruz Fernandes<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00ab\u00a0Tiago Da Cruz Fernandes\u00a0\u00bb &#8212; L&#039;Atelier comparatiste\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/tiago-da-cruz-fernandes\/embed\/#?secret=S8xuGaAgTd#?secret=Tzuay7SGSQ\" data-secret=\"Tzuay7SGSQ\" width=\"580\" height=\"327\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Avec son premier roman <em>Viens \u00c9lie<\/em>, Jonas Sollberger propose, en bousculant les normes de la langue \u00e9crite, la confrontation intime d\u2019une identit\u00e9 en construction.<\/p>\n","protected":false},"author":1003127,"featured_media":1075,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[3,193],"tags":[141],"class_list":{"0":"post-1061","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-critique","8":"category-critique-litteraire-2026","9":"tag-sollberger-jonas"},"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/1061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/users\/1003127"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/comments?post=1061"}],"version-history":[{"count":4,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/1061\/revisions"}],"predecessor-version":[{"id":1296,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/posts\/1061\/revisions\/1296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media\/1075"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media?parent=1061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/categories?post=1061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/tags?post=1061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}