{"id":233,"date":"2025-04-30T16:21:48","date_gmt":"2025-04-30T14:21:48","guid":{"rendered":"https:\/\/wp.unil.ch\/ateliercomparatiste\/?page_id=233"},"modified":"2026-04-06T15:29:59","modified_gmt":"2026-04-06T13:29:59","slug":"analyses","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/ateliercomparatiste\/home\/analyses\/","title":{"rendered":"Analyses"},"content":{"rendered":"\n<p>L&rsquo;actualit\u00e9 de la recherche en litt\u00e9rature g\u00e9n\u00e9rale et compar\u00e9e, comment\u00e9e par les \u00e9tudiant\u00b7e\u00b7x\u00b7s de l&rsquo;Atelier comparatiste de l&rsquo;Universit\u00e9 de Lausanne.<\/p>\n\n\n<ul class=\"wp-block-latest-posts__list is-grid columns-3 has-dates has-author wp-block-latest-posts has-small-font-size\"><li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"380\" height=\"518\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390.jpeg\" class=\"attachment-large size-large wp-post-image\" alt=\"D\u00e9tail du tableau de Klee : sombre, avec des poissons de multiples couleurs, des formes g\u00e9om\u00e9triques, une horloge.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390.jpeg 380w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2026\/01\/960px-paul_klee_swiss_-_fish_magic_-_google_art_project-1-e1769093026390-220x300.jpeg 220w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/quand-la-memoire-devient-recit-voix-transmission-et-fragilite\/\">Quand la m\u00e9moire devient r\u00e9cit&nbsp;: voix, transmission et fragilit\u00e9<\/a><div class=\"wp-block-latest-posts__post-author\">par Charles Chevalley<\/div><time datetime=\"2026-01-22T15:42:58+01:00\" class=\"wp-block-latest-posts__post-date\">22 janvier 2026<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Trois romans, trois dispositifs narratifs, pour penser la m\u00e9moire comme exp\u00e9rience fragile, transmission collective ou geste ritualis\u00e9. Une lecture comparatiste qui \u00e9claire la mani\u00e8re dont la litt\u00e9rature r\u00e9siste \u00e0 l\u2019effacement et politise le souvenir. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"992\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/montage-2-photos-moderne-votre-story-599x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Les deux couvertures sont mises en quinconce\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/montage-2-photos-moderne-votre-story-599x1024.jpg 599w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/montage-2-photos-moderne-votre-story-176x300.jpg 176w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/12\/montage-2-photos-moderne-votre-story.jpg 702w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/lautobiographie-a-la-barre-la-scene-judiciaire-dans-le-temoignage-du-trauma-sexuel\/\">L\u2019autobiographie \u00e0 la barre&nbsp;: la sc\u00e8ne judiciaire dans le t\u00e9moignage du trauma sexuel<\/a><div class=\"wp-block-latest-posts__post-author\">par Leila Blindenbacher<\/div><time datetime=\"2025-12-09T13:57:32+01:00\" class=\"wp-block-latest-posts__post-date\">9 d\u00e9cembre 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Les repr\u00e9sentations litt\u00e9raires du traumatisme sexuel interpellent. Leurs r\u00e9cits \u2013\u00a0ici <em>Triste tigre<\/em> et <em>Por qu\u00e9 volv\u00edas cada verano<\/em>\u00a0\u2013 construisent une adresse plurielle, que le regard comparatiste, \u00e0 mi-chemin de la litt\u00e9rature et du droit, permet de mettre en lumi\u00e8re.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"876\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-678x1024.png\" class=\"attachment-large size-large wp-post-image\" alt=\"John C. Hartsock, Literary Journalism and the Aesthetics of experience, Amherst, University of Massachusetts Press, 2016.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-678x1024.png 678w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-199x300.png 199w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-768x1160.png 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/page-de-titre-e1750693907597.png 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/les-concepts-itinerants-peuvent-ils-vraiment-voyager-difficultes-de-traduction-en-contexte-academique\/\">Les concepts itin\u00e9rants peuvent-ils vraiment voyager\u00a0? Difficult\u00e9s de traduction en contexte acad\u00e9mique<\/a><div class=\"wp-block-latest-posts__post-author\">par Maxime Fanti<\/div><time datetime=\"2025-06-23T17:53:05+02:00\" class=\"wp-block-latest-posts__post-date\">23 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">La traduction de concepts et de notions en contexte acad\u00e9mique est n\u00e9cessaire \u00e0 la circulation des id\u00e9es. Cette op\u00e9ration pr\u00e9sente des difficult\u00e9s pratiques \u2013\u00a0mais celles-ci offrent aussi l&rsquo;occasion de remettre du jeu dans la pens\u00e9e. Il s&rsquo;agit ici d&rsquo;y r\u00e9fl\u00e9chir \u00e0 partir d&rsquo;un exemple concret de traduction vers le fran\u00e7ais d&rsquo;un chapitre \u00e9crit en anglais et en partie bas\u00e9 sur un appareil notionnel francophone (mais l\u00e9g\u00e8rement d\u00e9plac\u00e9 en anglais).<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"580\" height=\"870\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-683x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Illustration \u00e0 venir.\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-683x1024.jpg 683w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-200x300.jpg 200w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-768x1152.jpg 768w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/photo-1604147706283-d7119b5b822c-e1751020700556.jpg 400w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/memoires-critiques-retour-reflexif\/\">M\u00e9moires critiques : retour r\u00e9flexif<\/a><div class=\"wp-block-latest-posts__post-author\">par Malika Vorlet<\/div><time datetime=\"2025-06-23T09:45:50+02:00\" class=\"wp-block-latest-posts__post-date\">23 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Dans le cadre de l\u2019Atelier des comparatistes, j\u2019ai choisi de me confronter \u00e0 l\u2019exercice de la critique litt\u00e9raire, une pratique famili\u00e8re en tant qu\u2019objet d\u2019\u00e9tude et de r\u00e9flexion, mais que je d\u00e9couvrais dans sa pratique. <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"600\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/thumbnail_image001-e1750228561490.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Couverture du livre de Mishima : jeune femme sur du sable, fond de ciel, noir et blanc\" style=\"max-width:256px;max-height:256px;\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/la-traduction-relais-dans-lhorlogerie-auctoriale-%e2%88%92-mishima\/\">La traduction-relais dans l\u2019horlogerie auctoriale : Mishima<\/a><div class=\"wp-block-latest-posts__post-author\">par Titouan Men\u00e9trey<\/div><time datetime=\"2025-06-18T08:47:26+02:00\" class=\"wp-block-latest-posts__post-date\">18 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">La traduction-relais ajoute une dimension \u00e0 la construction de la figure de l\u2019auteur, et permet d\u2019\u00e9clairer les ph\u00e9nom\u00e8nes et les dynamiques de co-construction multiples de sa position\u00a0: exemple chez Mishima.<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/thumbnail_image-atelier-comp-e1749652675671.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"Bulle de r\u00e9seaux sociaux\" style=\"max-width:256px;max-height:256px;\" srcset=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/thumbnail_image-atelier-comp-e1749652675671.jpg 400w, https:\/\/wp.unil.ch\/ateliercomparatiste\/files\/2025\/06\/thumbnail_image-atelier-comp-e1749652675671-200x300.jpg 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/wp.unil.ch\/ateliercomparatiste\/etat-compare-du-discours-autour-des-troubles-obsessionnels-compulsifs\/\">\u00c9tat compar\u00e9 du discours autour des troubles obsessionnels compulsifs<\/a><div class=\"wp-block-latest-posts__post-author\">par Alicia Saner<\/div><time datetime=\"2025-06-18T08:32:05+02:00\" class=\"wp-block-latest-posts__post-date\">18 juin 2025<\/time><div class=\"wp-block-latest-posts__post-excerpt\">Les discours sociaux sur la sant\u00e9 mentale peuvent encourager ou d\u00e9courager un individu \u00e0 partager son v\u00e9cu. Quels sont les discours en ligne autour des TOCs&nbsp;?<\/div><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>L&rsquo;actualit\u00e9 de la recherche en litt\u00e9rature g\u00e9n\u00e9rale et compar\u00e9e, comment\u00e9e par les \u00e9tudiant\u00b7e\u00b7x\u00b7s de l&rsquo;Atelier comparatiste de l&rsquo;Universit\u00e9 de Lausanne.<\/p>\n","protected":false},"author":1002274,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-233","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/pages\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/users\/1002274"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/comments?post=233"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/pages\/233\/revisions"}],"predecessor-version":[{"id":1203,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/pages\/233\/revisions\/1203"}],"up":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/ateliercomparatiste\/wp-json\/wp\/v2\/media?parent=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}