{"id":991,"date":"2018-01-08T14:32:26","date_gmt":"2018-01-08T13:32:26","guid":{"rendered":"http:\/\/wp.unil.ch\/archipelessais\/?page_id=991"},"modified":"2019-02-26T21:43:43","modified_gmt":"2019-02-26T20:43:43","slug":"volume-25","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/archipelessais\/volume-25\/","title":{"rendered":"Volume 25"},"content":{"rendered":"<p><strong>D\u2019H\u00e9l\u00e8ne \u00e0 Lilith<br \/>\n<\/strong>Figures de femmes \u00e9trang\u00e8res en Suisse romande (1890-1914)<\/p>\n<p><strong>Oc\u00e9ane Guillemin<br \/>\n<\/strong>Postface de Daniel Maggetti, 2017.<img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-992 alignright\" src=\"https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/1re_couv_vol_25-181x300.jpg\" alt=\"\" width=\"181\" height=\"300\" srcset=\"https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/1re_couv_vol_25-181x300.jpg 181w, https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/1re_couv_vol_25-91x150.jpg 91w, https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/1re_couv_vol_25-618x1024.jpg 618w, https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/1re_couv_vol_25.jpg 724w\" sizes=\"auto, (max-width: 181px) 100vw, 181px\" \/><\/p>\n<p>Qui sont ces femmes \u00e9trang\u00e8res qui font irruption dans la\u00a0production romanesque suisse romande du tournant du\u00a0XXe si\u00e8cle ?<\/p>\n<p>Les protagonistes d\u2019<em>\u00c6gyptiacque<\/em> (1891), de <em>Luisita<\/em> (1903)\u00a0et des <em>Circonstances de la vie<\/em> (1906) empruntent nombre de\u00a0leurs traits \u00e0 des figures mythiques fortement connot\u00e9es.\u00a0L\u2019\u00e9tude conjointe de ces romans r\u00e9v\u00e8le combien leurs auteurs\u00a0\u2013 William Ritter, \u00c9douard Rod et C. F. Ramuz \u2013 participent\u00a0\u00e0 la mise en place et au renforcement d\u2019un imaginaire\u00a0collectif typique d\u2019une \u00e9poque travers\u00e9e par de profonds\u00a0bouleversements socioculturels. Cristallisant les angoisses\u00a0suscit\u00e9es par l\u2019intensification de l\u2019immigration autant que par\u00a0l\u2019essor du f\u00e9minisme, les h\u00e9ro\u00efnes des trois r\u00e9cits analys\u00e9s\u00a0dans le pr\u00e9sent essai ajoutent \u00e0 la menace de l\u2019alt\u00e9rit\u00e9\u00a0\u00e9trang\u00e8re celle d\u2019une f\u00e9minit\u00e9 incontr\u00f4l\u00e9e. Qu\u2019elles tiennent\u00a0d\u2019H\u00e9l\u00e8ne, enlev\u00e9e par P\u00e2ris et funeste \u00e0 son insu, ou de\u00a0Lilith, d\u00e9moniaque \u00ab \u00c8ve avant \u00c8ve \u00bb nuisible \u00e0 dessein, ces\u00a0personnages doublement \u00ab autres \u00bb s\u2019inscrivent obstin\u00e9ment\u00a0dans la lign\u00e9e des femmes fatales en rupture de ban.<\/p>\n<p>O. G.<\/p>\n<p>135 p.<\/p>\n<p><a href=\"https:\/\/wp.unil.ch\/archipelessais\/files\/2018\/01\/Sommaire_vol_25.pdf\">Sommaire<br \/>\n<\/a><a href=\"https:\/\/wp.unil.ch\/archipelessais\/commande\/\">Commande<\/a><\/p>\n<p>Conf\u00e9rence Oc\u00e9ane Guillemin :<\/p>\n<p><iframe loading=\"lazy\" title=\"D\u2019H\u00e9l\u00e8ne \u00e0 Lilith: \u00e9chos mythiques et figures des femmes \u00e9trang\u00e8res en Suisse romande (1891\u20131906)\" width=\"735\" height=\"413\" src=\"https:\/\/www.youtube.com\/embed\/1Wz7FeWs9ME?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u2019H\u00e9l\u00e8ne \u00e0 Lilith Figures de femmes \u00e9trang\u00e8res en Suisse romande (1890-1914) Oc\u00e9ane Guillemin Postface de Daniel Maggetti, 2017. Qui sont ces femmes \u00e9trang\u00e8res qui font irruption dans la\u00a0production romanesque suisse &hellip; <\/p>\n","protected":false},"author":1001569,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-991","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/pages\/991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/users\/1001569"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/comments?post=991"}],"version-history":[{"count":0,"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/pages\/991\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/archipelessais\/wp-json\/wp\/v2\/media?parent=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}