{"id":329,"date":"2021-03-31T21:26:18","date_gmt":"2021-03-31T19:26:18","guid":{"rendered":"https:\/\/wp.unil.ch\/archas\/?p=329"},"modified":"2023-02-07T21:26:04","modified_gmt":"2023-02-07T20:26:04","slug":"la-conception-dun-nouvel-outil","status":"publish","type":"post","link":"https:\/\/wp.unil.ch\/archas\/la-conception-dun-nouvel-outil\/","title":{"rendered":"La conception d\u2019un nouvel outil"},"content":{"rendered":"\n

The design of a new tool<\/strong><\/em><\/h2>\n\n\n\n
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La conception d\u2019ARCHAS a dur\u00e9 plus d\u2019un an et a impliqu\u00e9 une \u00e9troite collaboration entre une historienne et une ing\u00e9nieure p\u00e9dagogique de la Facult\u00e9 des Lettres de l\u2019UNIL, une \u00e9quipe de designers et un metteur en sc\u00e8ne, soutenus par les avis d\u2019experts internationaux.

The design of Archas lasted more than a year and involved a close collaboration between a historian and an educational engineer from the UNIL Faculty of Arts, a team of designers, and a stage director, supported by international expert evaluations.<\/em><\/p>\n\n\n\n

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Des th\u00e9\u00e2tres incertains
Uncertain theaters<\/em><\/strong><\/h3>\n\n\n\n
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Les environnements virtuels d\u2019ARCHAS \u00e9voquent des types d\u2019anciens th\u00e9\u00e2tres peu conserv\u00e9s et document\u00e9s, dont la reconstruction architecturale est incertaine \u00e0 cause du manque de sources. Les spectacles en plein air, pratiqu\u00e9s pendant des si\u00e8cles et jusqu\u2019\u00e0 aujourd\u2019hui, impliquent des interactions avec le public diff\u00e9rentes de celles des salles ferm\u00e9es que nous connaissons.
Les deux premiers environnements virtuels cr\u00e9\u00e9s pour ARCHAS sont \u00ab l\u2019amphith\u00e9\u00e2tre \u00bb et \u00ab les tr\u00e9teaux \u00bb.
Mat\u00e9riel & logiciels : HMD HTC Vive ; Steam VR.

ARCHAS’ virtual environments evoke types of past theaters only partly preserved and documented, for which architectural reconstruction is uncertain due to the lack of sources. Performances in open-air theaters, practiced for centuries and until today, involves interactions with the audience different from those of the closed theaters that we know.
The first two virtual environments created for ARCHAS 2020 are \u00ab\u00a0the amphitheater\u00a0\u00bb and \u00ab\u00a0the scaffolds\u00a0\u00bb.
Devices and software: HMD HTC Vive ; Steam VR.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

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L\u2019amphith\u00e9\u00e2tre<\/strong>
The amphitheater<\/em><\/strong><\/h3>\n\n\n\n

Dans un amphith\u00e9\u00e2tre, l\u2019\u00e9t\u00e9, sont assis des milliers de spectateurs. Ils portent des costumes inspir\u00e9s de l\u2019Antiquit\u00e9 et de p\u00e9riodes plus r\u00e9centes, puisque ce type de lieu est toujours utilis\u00e9 aujourd\u2019hui. La personne qui joue peut visiter les gradins, aller sur une vaste aire de jeu et interagir avec plusieurs groupes de personnages virtuels. Elle peut aussi monter sur la sc\u00e8ne situ\u00e9e au fond, ferm\u00e9e de chaque c\u00f4t\u00e9 par des loges en bois, et s\u2019adresser de l\u00e0 au public.
3200 spectateurs. Gradins du public\u00a0: longueur 15m en bas & 22m en haut, hauteur 10 m. Aire de jeu\u00a0: 30m2. Sc\u00e8ne\u00a0: longueur 20m, hauteur 1,80m du sol.

Thousands of spectators sit in an amphitheater in summer. They wear costumes inspired by Antiquity and more recent periods, as this type of performance is still used today. The player can visit the galleries of seats, move over a large scenic area and interact several groups of virtual actors. He\/she can go up to the stage located at the back, closed on each side by wooden boxes, and address the audience from there.<\/em>
Spectators: 3,200. Benches for the audience: length 15m at the bootom + 22m at the top. Height of the amphitheater: 10 m. Scenic area: 30m2. Wooden stage: height 1.80m, length 20m.<\/em><\/p>\n\n\n\n