{"id":249,"date":"2020-07-22T15:17:19","date_gmt":"2020-07-22T13:17:19","guid":{"rendered":"http:\/\/wp.unil.ch\/archas\/?page_id=249"},"modified":"2024-03-31T11:48:04","modified_gmt":"2024-03-31T09:48:04","slug":"projets","status":"publish","type":"page","link":"https:\/\/wp.unil.ch\/archas\/projets\/","title":{"rendered":"Saisons \/ Seasons"},"content":{"rendered":"\n<p>Depuis 2020, chaque saison d\u2019ARCHAS explore un ou plusieurs textes pr\u00e9cis, qui sont travaill\u00e9s dans tous leurs aspects: historiques, sociaux, esth\u00e9tiques, dramaturgiques, sc\u00e9niques. L&rsquo;objectif est de remettre en jeu des pi\u00e8ces ou des genres oubli\u00e9s de l&rsquo;histoire du th\u00e9\u00e2tre et, \u00e0 travers ces corpus, d&rsquo;\u00e9clairer une question g\u00e9n\u00e9rale d\u2019interpr\u00e9tation.<\/p>\n\n\n\n<p>ARCHAS vise aussi \u00e0 d\u00e9velopper les savoirs r\u00e9flexifs des \u00e9tudiant\u00b7es&nbsp;sur l\u2019<strong>histoire du th\u00e9\u00e2tre<\/strong>, sur les apports de la&nbsp;<strong>recherche-action<\/strong> et de la pratique th\u00e9\u00e2trale dans les formations non-professionnalisantes,&nbsp;sur les enjeux des&nbsp;<strong>outils num\u00e9riques<\/strong> pour l\u2019\u00e9tude et la compr\u00e9hension des arts du spectacle, d\u2019hier \u00e0 aujourd\u2019hui.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"879\" height=\"1024\" src=\"https:\/\/wp.unil.ch\/archas\/files\/2024\/03\/ARCHAS2-879x1024.jpg\" alt=\"\" class=\"wp-image-650\" srcset=\"https:\/\/wp.unil.ch\/archas\/files\/2024\/03\/ARCHAS2-879x1024.jpg 879w, https:\/\/wp.unil.ch\/archas\/files\/2024\/03\/ARCHAS2-258x300.jpg 258w, https:\/\/wp.unil.ch\/archas\/files\/2024\/03\/ARCHAS2-768x895.jpg 768w, https:\/\/wp.unil.ch\/archas\/files\/2024\/03\/ARCHAS2.jpg 1030w\" sizes=\"auto, (max-width: 879px) 100vw, 879px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><em>Since 2020, each season of ARCHAS has explored one or several specific texts, which are examined in all their aspects: historical, social, aesthetic, dramaturgical, and scenic. The goal is to reconsider <strong>forgotten plays or genres<\/strong> from the history of theater and, through these works, shed light on a b<strong>roader interpretive question<\/strong><\/em><strong>.<\/strong><\/p>\n\n\n\n<p><em>ARCHAS also aims to develop <strong>students&rsquo; reflective knowledge of theater history,<\/strong> the contributions of performance-based research in non-professional training, and the implications of digital tools for studying and understanding the performing arts, from past to present<\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Depuis 2020, les corpus s\u00e9lectionn\u00e9s pour le cours ont invit\u00e9 \u00e0 d\u00e9couvrir les <strong>premi\u00e8res pi\u00e8ces qui, entre 1450 et 1550, ont marqu\u00e9 l&rsquo;essor du th\u00e9\u00e2tre dans les r\u00e9gions de l&rsquo;actuelle Suisse romande<\/strong>. On trouvera ci-dessous l&rsquo;acc\u00e8s, par ann\u00e9e, les corpus et les questions de recherche interrog\u00e9s depuis 2020, accompagn\u00e9s des r\u00e9flexions des \u00e9tudiant\u00b7es sur leurs propositions de mise en sc\u00e8ne.<\/p>\n\n\n\n<p><em>Since 2020, the selected corpuses for the training have invited exploration of the earliest plays that, between 1450 and 1550, marked t<strong>he rise of theater in the regions of present-day French-speaking Switzerland.<\/strong><\/em> <em>Below, you will find the access, by year, to the corpora and research questions queried since 2020, accompanied by students&rsquo; reflections on their staging proposals.<\/em><\/p>\n<\/blockquote>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Trag\u00e9die: <strong><em>Abraham sacrifiant&nbsp;<\/em>de Th\u00e9odore de B\u00e8ze<\/strong> (1550) &#8211; <a href=\"https:\/\/wp.unil.ch\/archas\/projets\/2020-2021\/\">Automne 2020<\/a> <\/li>\n\n\n\n<li>Farces: <em><strong>L<\/strong><\/em><strong><em>a Pr\u00e9sentation des joyaux <\/em>et <em>La Fontaine de Jouvence<\/em>,<\/strong> pi\u00e8ces et r\u00f4les des Archives d&rsquo;Etat de Fribourg (c.1500) &#8211; <a href=\"https:\/\/wp.unil.ch\/archas\/projets\/2021-2022\/\" data-type=\"page\" data-id=\"376\">Automne 2021<\/a><\/li>\n\n\n\n<li>Th\u00e9\u00e2tre militant: <strong><em>La Maladie de Chr\u00e9tient\u00e9 <\/em>de Mathieu Malingre<\/strong> (1534) et <strong><em>Les Clefs de l&rsquo;Eglise<\/em> <\/strong>(c.1530?) &#8211; <a href=\"https:\/\/wp.unil.ch\/archas\/projets\/2022-2023\/\" data-type=\"page\" data-id=\"378\">Automne 2022<\/a><\/li>\n\n\n\n<li>Spectacles de saintes et de sorci\u00e8res: <strong><em>Sainte Barbe en cinq journ\u00e9es<\/em>; <em>Le Si\u00e8ge d&rsquo;Orl\u00e9ans<\/em>; <em>Frau Jutta <\/em><\/strong>(c. 1480) &#8211; <a href=\"https:\/\/wp.unil.ch\/archas\/2023-2024\/\" data-type=\"page\" data-id=\"727\">Automne 2023<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Depuis 2020, chaque saison d\u2019ARCHAS explore un ou plusieurs textes pr\u00e9cis, qui sont travaill\u00e9s dans tous leurs aspects: historiques, sociaux, esth\u00e9tiques, dramaturgiques, sc\u00e9niques. L&rsquo;objectif est de remettre en jeu des pi\u00e8ces ou des genres oubli\u00e9s de l&rsquo;histoire du th\u00e9\u00e2tre et, \u00e0 travers ces corpus, d&rsquo;\u00e9clairer une question g\u00e9n\u00e9rale d\u2019interpr\u00e9tation. ARCHAS vise aussi \u00e0 d\u00e9velopper les [&hellip;]<\/p>\n","protected":false},"author":1002108,"featured_media":210,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-cover.php","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"class_list":["post-249","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/pages\/249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/users\/1002108"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/comments?post=249"}],"version-history":[{"count":5,"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/pages\/249\/revisions"}],"predecessor-version":[{"id":763,"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/pages\/249\/revisions\/763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/media\/210"}],"wp:attachment":[{"href":"https:\/\/wp.unil.ch\/archas\/wp-json\/wp\/v2\/media?parent=249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}