Category Archives: Uncategorized

Sākhīs by Kabīra

Text in transliteration

Text in Devanāgarī

 

Introduction
Kabīra, Sākhīs (abbrev. KGsT)
Source : “The 716 sākhīs reproduced here are from Parasanath Tivari, Kabīr-Granthāvalī, 1961, and were also reprinted in Winand M. Callewaert & Bart Op de Beeck, Devotional Hindī Literature, 2 vols, Manohar, New Delhi, 1991, 1175 pp.; p. 24 and text: pp. 281-302. These sākhīs edited by Tivari were also reprinted in Charlotte Vaudeville, Kabīr-vānī, Pondicherry, 1982.
In a personal communication (Sept. 1988) Vaudeville told me she had done some editing on the text of the Guru Granth section, but for the reprint of the Rajasthani versions of Tivari, she did not do any editing, she said; I found the Pondicherry text of Vaudeville often quite different from the Tivari text.
For the padas and ramainīs in the Tivari edition, see the reprint in Callewaert, Winand M. & Bart Op de Beeck, op. cit., pp. 302-336 and pp. 337-342 respectively.” (Winand Callewaert)

Continue reading

Jogapradīpikā by Jaiyatarāma

Text in transliteration

Text in Devanāgarī

 

Introduction

Jaiyatarāma, Jogapradīpikā

Source : Jogapradīpikā. Jayatarāma kṛta ; sampādaka, Ema. Ela. Gharoṭe. [Jodhapura]
: Rājasthāna Prācyavidyā Pratisṭhāna, Jodhapura, 1999. 31, 93 p., [10] p. of plates : ill. ; 24 cm. (Rājasthāna purātana granthamālā granthānka 192)

Continue reading

Padas and Sākhīs by Dādū

Text in transliteration

Text in Devanāgarī

Introduction
Dādū, Padas and Sākhīs (abbrev. Dp, Ds)
Source : Dādū 443 pads, critical edition by Monika Horstmann, based on the Caturvedi edition and the oldest manuscripts in the Callewaert Microfilm Collection; see Callewaert & Op de Beeck: 1991, pp. 14ff., and reprint of the text on pp. 201-279.
For the sākhīs Callewaert gives as source: 2,453 sākhīs, Caturvedi ed., repr. in Winand M. Callewaert, & Bart Op de Beeck, Devotional Hindī Literature, 2 vols, Manohar, New Delhi, 1991, 1175 pp.; pp. 132-200.
The transliteration is based on the Word-file produced by Callewaert and using his Parvati-font.

Continue reading